Brian Bartels talks with David Ebershoff–author, editor-at-large for Random house, and Columbia professor–about such topics as the role research plays in his writing, writing the book you want to read, the advice his gives his students about drafting, and how he approaches revision.

In what he dubs a “Chronicle in Fact and Fiction,” Silverstein’s book takes aim at the figurative and often porous boundary between memoir and the novel. The author’s real life misadventures inspire their fictional counterpart, and the fiction in turn dovetails with the next stage of his itinerary. As he hops from Texas to Louisiana to Mexico, Silverstein is like a recurring protagonist in a collection of linked stories.

Peter Selgin’s debut novel, Life Goes to the Movies, is based in large part on his experiences growing up in New York in the 1970s. JT Torres talks to the author about bringing fact to fiction, strategies for the revision process, why identity is so important in his work, and more. Following the interview is an exclusive excerpt from Selgin’s novel-in-progress, Hattertown.

Jonathan Tropper’s latest novel, This is Where I Leave You (paperback: Plume, July 2010), mines the hilarity from dysfunction in a belated coming-of-age story. After patriarch Mort Foxman passes away, the Foxman clan is forced to sit through what might be the craziest shiva of all time.

Marisa Silver’s Alone With You, eight stories and 164 pages, is as satisfying as the perfect meal – not a morsel more than you desire, each bite bright with the imaginative intent of the author, each element perfectly balanced in the way they enhance and better one another.

Tatjana Soli’s debut novel, The Lotus Eaters, takes place during the Vietnam War and focuses on a female combat photographer. Tyler McMahon talks with the author about how we choose our subject matter, the challenges of writing about well-documented history, the role research plays in her process, and why novels matter in an era increasingly dominated by nonfiction.

“Stopped hanging other people’s art.”

— a journal entry by Ad Reinhardt (1913-1967)

Andrea Nolan examines the new “nature writing” taking place in such journals as Ecotone, Flyway, Orion, and Fourth River, as well as how environment shapes the work of all contemporary writers.

In a Strange Room ­­chronicles Damon’s travels as he journeys from Greece, to various countries in Africa, to India. Traveling, in general, disorients. We are displaced from our normal locations, we are observing places that are not our own, and our minds constantly compare the new, foreign place with the familiar one. Like Rimbaud’s process of becoming a seer, the state of traveling might be a process by which we project toward the unknown by a derangement of the senses. To travel is to step into a sort of duality.

Anthony Doerr’s newest collection, Memory Wall, was published by Scribner in July. Christopher Mohar talks with the author about such topics as the politics of writing, the importance of curiosity, the role science plays in his fiction, why he likes the novella as a form, and how we can successfully inhabit characters different from ourselves.