Suspend Your Disbelief

Archive for October, 2008

Shop Talk |

nyc-based writers: seeking an agent?

by Anne Stameshkin

Head to the Asian American Writers Workshop (AAWW) next Tuesday, October 7 at 7pm for: The Practicing Writer Panel: How To Get An Agent Literary agents Jin Auh (The Wylie Agency), Ayesha Pande (Collins Literary Agency) and Amy Tipton (FinePrint Literary Management) will discuss how to get your manuscript into the right hands and find a good home for your book(s). The AAWW is located at 16 West 32nd Street (between Broadway & 5th Avenue), 10th Floor, NY, NY.


Shop Talk |

reviewlet: How Far is the Ocean from Here by Amy Shearn

by Anne Stameshkin

How Far is the Ocean from Here, Amy Shearn’s captivating debut, follows a young surrogate mother who flees to the desert shortly before her due date. Accomplishing a seemingly impossible goal, the novel sustains the quality and language of a short story for 320 pages. Shearn exceeds at painting characters and relationships – particularly the bond between surrogate Susannah and father Julian; an adopted child himself, Julian feels a strong pull to the woman carrying his first blood relative–much to the chagrin of his wife, Kit. The book’s POV, a shifting third person with hints of omniscience, is ambitious and […]


Shop Talk |

against depression

by Anne Stameshkin

This story (audio and transcript available here) covers the high rate of teen suicide on Nantucket. The community is struggling with how to cope – and how to prevent further cases; psychologists and trauma specialists are working with police officers and teachers, training them to identify (and recommend to counseling) kids who suffer from depression. At a town meeting earlier this year, Harvard’s Robert Macy urged parents to take the time to really listen to their kids, stressing that this was more important that actively trying to prevent them from harming themselves. All of this seems like good work and […]


Reviews |

Enlightenment, by Maureen Freely

by Natalie Bakopoulos

Near the middle of Maureen Freely’s Enlightenment, one character explains to another that in Turkey, “the first thing they make you do in a murder case is put you through a reenactment.” One of the book’s central storylines explores the supposed murder of a mentor of a group of leftist students in Istanbul in the early 1970s. And the novel itself functions as a reenactment, a piecing together of stories and perspectives. But Enlightenment is far more than a murder mystery: it’s about imperialism and politics and human rights, about love and memory, about the subjectivity of truth.




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