Suspend Your Disbelief

Author Archive

Reviews |

Everything Ravaged, Everything Burned, by Wells Tower

The first things you feel are joy and awe. The stories in Everything Ravaged, Everything Burned, Wells Tower’s first collection, are pieces that care, first and last, about telling a damn good story. Tower’s use of compression and summary to contextualize poignant or dramatic scenes is elegant and efficient. The granular and hilarious detailing of landscapes—North Carolina’s landscapes, in particular, are exuberantly and beautifully rendered in this collection—and of characters is solid, remarkable. The virtuosic moments in Tower’s prose make us gape, wince, laugh out loud: the hilarious or heart-rending one-liners, the hard-eyed endings, the way in which objects are imbued with astonishing, imagined inner lives of their own. But these stories are also relentlessly cynical.


Shop Talk |

new review on FWR: Everything Ravaged, Everything Burned by Wells Tower

A preview: The first things you feel are joy and awe. The stories in Everything Ravaged, Everything Burned, Wells Tower’s first collection, are pieces that care, first and last, about telling a damn good story. Tower’s use of compression and summary to contextualize poignant or dramatic scenes is elegant and efficient. The granular and hilarious detailing of landscapes—North Carolina’s landscapes, in particular, are exuberantly and beautifully rendered in this collection—and of characters is solid, remarkable. The virtuosic moments in Tower’s prose make us gape, wince, laugh out loud: the hilarious or heart-rending one-liners, the hard-eyed endings, the way in which […]


Reviews |

A Better Angel, by Chris Adrian

The stories in Chris Adrian’s third book (and first story collection) are idealistic, relentlessly imaginative and existentially harrowing—(Flannery O’Connor/Lorrie Moore) x Kafka=Chris Adrian. Using a unique mixture of shocking imagery and surprising tenderness, Adrian illuminates the pathologies of the trauma-battered, those stricken by grief or illness who choose to funnel their angst into healing or annihilating activities. The results are individual, startling, and luminous.


Reviews |

An Arsonist's Guide to Writers' Homes in New England, by Brock Clarke

I don’t actually want to tell you anything about this novel. I want you to go read it and then meet me at Sweetwaters in Ann Arbor, so we can talk about our favorite parts while sipping mocha lattes and nibbling cranberry scones. This type of behavior—informally discussing books in settings seemingly created for the informal discussion of books—is something that Clarke makes fun of in the novel, but then again, he makes fun of pretty much anyone who likes books, or talks about books, or thinks they are at all important. A significant feat, considering the fact that Clarke obviously reads tons of books, and loves them, and thinks they’re at least important enough to spend a few years writing a pretty good one.


Reviews |

Dream City, by Brendan Short

Brendan Short’s debut novel tells the story of Michael Halligan, a nervous child who, in 1930s Chicago, finds solace in the Sunday adventure comics, where pulp heroes like Dick Tracy and the Shadow bring down the bad guys. As Michael grows up, his obsession with the Big Little Books makes human connection difficult, eventually trapping him inside his collectibles shop.


Interviews |

Interview with Nicholas Delbanco, The Count of Concord

In his most recent novel, The Count of Concord, Nicholas Delbanco revives a largely forgotten but fascinating historical figure who was, in his day, an international celebrity: renaissance man Count Rumford (1753-1814). Brian Short asks Delbanco about the story behind bringing this character back, as it were, to life–and the experience of picking up a manuscript again after 20 years.