Suspend Your Disbelief

Contributor Types

Anne Stameshkin

Founding Editor

Anne Stameshkin lives in Brooklyn. Her fiction has been published in the Chattahoochee Review andNimrod, and her book reviews have appeared inEnfuse magazine. Anne holds an MFA (fiction) from the University of Michigan. She pays the bills as a freelance editor, writer, and writing teacher, most recently at Connecticut College. While in-house at McGraw-Hill, Anne edited a number of literature and composition texts and two craft books—Tell It Slant: Writing and Shaping Creative Nonfiction by Brenda Miller and Suzanne Paola and The Sincerest Form: Writing Fiction by Imitation by Nicholas Delbanco, among other projects. She is currently at work on a novel. Some recently published collections she recommends include If I Loved You, I Would Tell You This by Robin Black, The Theory of Light and Matter by Andrew Porter, and Boys and Girls Like You and Me by Aryn Kyle.


Articles

Shop Talk |

the wovel

by Anne Stameshkin

Editor/publisher Victoria Blake (Underland Press), along with programmer Jesse Pollack, is the force behind a new literary form: the online serial novel, or wovel; NPR describes it as “Choose your Own Adventure meets Wikipedia.” A self-confessed blog addict who loves reading frequently-updated online content, Blake thought it would be great to have opportunities to read literature online in a serial form, a la Dickens (and more recently Chabon), and to have that experience be interactive. Here is Underland’s official description of the wovel (from their website): Every week, the author posts an installment. Installment length hits the sweet-spot of online […]


Shop Talk |

How Fiction Works Discussion Review: Free Indirect Style

by Anne Stameshkin

I’ve been trying to read Muriel Barbery’s critically acclaimed novel The Elegance of the Hedgehog, and while I’m relishing many of the author’s ideas, they feel to me like just that–the author’s ideas, not ones that belong to the book’s characters; a wealthy pre-teen and middle-aged concierge spend at least the first section of Hedgehog (I’m on p. 114) hiding their gifted selves from everyone they know while sharing them, mostly in monologue/journaling style, with us. Their use of language is almost identical, as is their attitude toward (and analysis of) the world around them. So much of the book […]


Shop Talk |

can you read like a girl?

by Anne Stameshkin

On Preeta’s recommendation, here’s a great article from a mother who wishes she could still “read like a girl.” Do others (boys, too…this shouldn’t be so gendered) feel this way, that you can no longer really lose yourself in a book? I’d agree that it’s harder now, and that it depends on what you’re reading and the number of distractions in your life and whether or not you are officially enrolled in an MFA program at the time…but me, I can still read like a girl. What I can’t do, what I often long to do, is to write like […]


Shop Talk |

before the grande non-fat caramel macchiato

by Anne Stameshkin

New Yorkish writers, take note: Where Edith Wharton grew up on 23rd St., there is now a Starbucks. On the one hand, I picture a quiet afternoon writing in this shop, imagining that Wharton once shared my same view of a (much changed) street. And on the other…I’m envisioning a new walking tour for NYC: “Starbucks and the City.” In my fantasy (wherein the coffee giant would not sue), tourists would amble from identical looking shop to shop whilst a green-aproned guide lectured on what once stood there or who once lived in the building. In addition to excavating layers […]


Shop Talk |

Get totally depressed! Then get your hope on.

by Anne Stameshkin

The book industry–hell, literature itself–is in jeopardy, and even some of the most avid readers are getting blamed. This has been a very traumatic season for publishing…even highly successful celebrity editors have been laid off from houses big and small, and some publishers aren’t signing any new books. It’s clear we need to think about change at every level of the industry; as publishers, booksellers, journalists, and authors raise the alarm, will we find creative ways to fight the fire or curl up on the floor of a burning house? Read how we might learn to publish without perishing, why […]


Shop Talk |

Newbery skirmish

by Anne Stameshkin

Earlier this fall, School Library Journal published an article called “Has the Newbery Lost Its Way?”, sparking a heated debate about criteria for what has long been recognized as the most prestigious prize in children’s literature. Are the latest Newbery medal-winning books really too “inaccessible” for kids? Should accessibility and popularity be issues in determining a winner? Are popularity and quality mutually exclusive? Does the Newbery tend to favor “good” books over “great” ones? What responsibility does the award have to young readers? What do you think?




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