Suspend Your Disbelief

Celeste Ng

Editor at Large

Celeste Ng is the author of the novels Everything I Never Told You  (2014) and Little Fires Everywhere (2017). She earned an MFA from the University of Michigan (now the Helen Zell Writers’ Program at the University of Michigan), where she won the Hopwood Award. Her fiction and essays have appeared in One Story, TriQuarterly, Bellevue Literary Review, the Kenyon Review Online, and elsewhere. She is the recipient of the Pushcart Prize, the Massachusetts Book Award, the American Library Association’s Alex Award, and a fellowship from the National Endowment for the Arts. She lives in Cambridge, Massachusetts.


Articles

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Postcards from Penguin: 100 Book Covers in a Box

I can think of a bunch of uses for these supercool postcards featuring vintage Penguin covers. You could use them as snazzy thank-you notes to writer (or reader) friends. You could tuck them into gift books as bookmarks, or let them serve as reminders for books you’ve been meaning to read. You could tack them up above your desk as inspiration (“Note to Self: Write a book like The Great Gatsby“). Or you could frame them and hang them en masse to make great wall art. Those in the UK have had access to these for a few months already. […]


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NPR's Three-Minute Fiction Contest

NPR has just announced its third Three-Minute Fiction Contest. This year, the judge will be writer and critic Alan Cheuse. The challenge? Write a story about this photo that can be read out loud in under three minutes–that’s about 600 words. Cheuse compares a good short story to a lyric poem — both forms pack the biggest emotional punch and the most information into the smallest possible space. “It’s a love affair, rather than a marriage,” he says. “Or maybe even a one-night stand compared to a love affair.” He’ll be looking for entertainment as well as emotion in the […]


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One (Love) Story

Yet another reason to read literary journals: they could help you find your soulmate. One Story has a great story up on its blog about how the magazine brought a couple together: Outside the Harvard Bookstore we prepared to part, making the non-committal noises of people who are never going to see each other again. Misery mixed in with relief. Within a few minutes this poetic, literary woman was going to vanish into the bright lights of the bookstore. The kind of woman I’d been dreaming about my whole life. But that’s what it was: a dream. Before she left, […]


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Titles to Avoid

Trimalchio in West Egg. A Jewish Patient Begins His Analysis. Catch-18. Even the greats struggle with their titles sometimes, toying with titles like these before settling on The Great Gatsby, Portnoy’s Complaint, and Catch-22. So what makes a good title–or a bad one? Author and teacher Eric Puchner has some thoughts in GlimmerTrain’s latest bulletin: So, based on years of teaching, I’ve compiled the following list of types of TITLES TO AVOID. (Note: some of the examples below are real titles, from good stories.) The Purely Descriptive: “One Early Morning in Topeka at Dawn” The Lofty Abstraction, AKA the Bad […]


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On (Non-Social) Reading

From to Oprah’s Book Club to Goodreads, reading has become a more social activity than ever before. But what about those people who still like to curl up with a book–alone? The New York Times examines the private reader: Particularly with the books we adore most, a certain reader wants to preserve the experience for reflection, or even claim the book as hers and hers alone. Lois Lowry, an author of books for children and a two-time winner of the Newbery for “Number the Stars” and “The Giver,” said she recently read that Katherine Paterson, also a two-time Newbery winner […]


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The Death of the Slushpile

The slush pile: Beginning writers get lost in it. Beginning editors sift through it. The Wall Street Journal points out some of the effects of its disappearance: As writers try to find an agent—a feat harder than ever to accomplish in the wake of agency consolidations and layoffs—the slush pile has been transferred from the floor of the editor’s office to the attaché cases of representatives who can broker introductions to publishing, TV and film executives. The result is a shift in taste-making power onto such agents, managers and attorneys. Theirs are now often the first eyes to make a […]


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The Lost Booker Prize

The Booker Prize has announced the Lost Booker Prize, intended to honor books published in 1970, the only year since 1968 in which when no prize was given. The Booker Prize was created in 1968 as a retrospective prize – that is, honoring books published prior to the award year. Then, in 1971, two changes were made in the Booker rules: the Booker became a prize for the best novel published in the same year as the award, and the month in which the award was given changed from April to November. As a result of the new rules, books […]


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Harvard Book Store Short-Short Contest

Boston-area readers know Harvard Book Store as one of the best independent bookstores in the country. The store hosts author events and readings nearly every night, and the knowledgeable staff is always ready to help should you need a recommendation. Now, they’re encouraging writers as well. In honor of the shortest month, Harvard Book Store is running a short-short contest: Let’s make these 28 days count! Write a short short story (500 words or less). Send us your entries (no more than 3 entries per person) by 5 p.m. on Wednesday, February 17th. We’ll read them, pick our favorites, and, […]


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Books We Can't Part With

When I moved from Ann Arbor to Boston, movers came to pack our things. After the thirteenth box of books–literally–Mover #1 actually set down his tape gun and said in complete seriousness, “Do you really need all these books?” Oh yes. I needed them. The New York Times, however, understands that now and then one must actually cull one’s library for reasons of space. The editors asked several authors for their advice on how to do it: Francine Prose: Unless you are an Egyptologist, you only need one, at most two, enormous coffee table books on the Art of the […]


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Mr. President, tell us a story

One year after President Obama’s inauguration, everyone seems to have either criticism or advice for his administration–for pushing health care reform; for not yet passing health care reform; for not waving his magic wand to fix the economy, eradicate H1N1, and end both wars; for not leaping tall buildings in a single bound. But author Junot Diaz points out a different problem in an an essay in the New Yorker: President Obama’s lack of storytelling since his election. All year I’ve been waiting for Obama to flex his narrative muscles, to tell the story of his presidency, of his Administration, […]