Suspend Your Disbelief

Celeste Ng

Editor at Large

Celeste Ng is the author of the novels Everything I Never Told You  (2014) and Little Fires Everywhere (2017). She earned an MFA from the University of Michigan (now the Helen Zell Writers’ Program at the University of Michigan), where she won the Hopwood Award. Her fiction and essays have appeared in One Story, TriQuarterly, Bellevue Literary Review, the Kenyon Review Online, and elsewhere. She is the recipient of the Pushcart Prize, the Massachusetts Book Award, the American Library Association’s Alex Award, and a fellowship from the National Endowment for the Arts. She lives in Cambridge, Massachusetts.


Articles

Shop Talk |

Writing Advice from Terminator: Salvation

Proof that good advice can come from anywhere: writing advice from Terminator: Salvation courtesy of The Rejectionist: 1. You need a plot. You really, really do. A Good Idea (“What if it’s the future! And robots are the boss of everything and this hot non-emotive dude has to find this kid who is actually his dad and send him back in time before the robots kill everyone!”) is an excellent start, but a Good Idea is NOT sufficient to carry the entire vehicle of your novel. We don’t care how highfalutin’ your concept or your prose is; you leave out […]


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By Its Cover: A Book Cover Contest

Did our last post on book covers convince you that cover design makes a difference? Want to try your hand at it? Design blog Venus febriculosa is running a book cover design contest for Umberto Eco’s The Name of the Rose. The deadline is February 26, 2010, and the winner gets $1000. More information on the contest is here. And for further inspiration, check out the stunning entries and winners for the last book cover contest: Nabokov’s Lolita. My favorite is the one with the scrunchie–how about you?


Reviews |

Both Ways Is the Only Way I Want It, by Maile Meloy

In Malie Meloy’s most recent collection, Both Ways is the Only Way I Want It, there are no clear lines, no obvious right answers. Meloy’s characters are caught between two choices that are both right—or both wrong—and that’s what makes their decisions so difficult, and makes these stories so compelling. In reading them, you feel, as the author puts it, “both the threat of disorder and the steady, thrumming promise of having everything [you] wanted, all at once.”


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Coolest Bookcases

Spotted on the Huffington Post: a gallery of 11 awesome bookcases. Most are designer prototypes, but a few (like the “Sticklebook” invisible bookshelf) are for sale, and you can make the upside-down one yourself. (drool…)


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(Even) more on book trailers…

We’ve talked about book trailers on FWR before (see below)–and it seems they’re gaining an even larger (and more interesting) presence…one aspiring to an adaptation genre of its own. GalleyCat reports that the trailer for Sense and Sensibility and Sea Monsters will be shown in movie theatres around the country. That’s the book trailer, people. On the big screen. Meanwhile, the 1993 novel Going West by Maurice Gee inspired the New Zealand Book Council to create this absolutely jaw-dropping short film. Part book trailer, part adaptation, it’s a bona fide work of art in its own right. The council’s website […]


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Survival Advice from NBA finalists

GalleyCat attended the recent National Book Awards and asked attendees for tips on how aspiring writers can survive the recession. The two-minute video includes advice from fiction finalists Bonnie Jo Campbell and Marcel Theroux , YA finalists Rita Williams Garcia and Laini Taylor, poetry finalist Lyrae Van Clief-Stefanon, and nonfiction finalist Sean B. Carroll.


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Serial Fiction

Serial literature might make you think Dickens, but it seems to be all the rage now. This being the 21st century, Twitter is a natural tool for serialization. In conjunction with Electric Literature, Rick Moody published a short story serialized into tweets, with one installment posted every 10 minutes. Reactions to the experiment were decidedly mixed, but its existence speaks to the renewed interest in the serialized fiction. Meanwhile, online lit journal Five Chapters publishes a short story a week, with one part of the story issued each weekday. And Daily Lit allows subscribers to read variety of books–from Tom […]


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By Its Cover

The old adage is right: you can’t judge a book by its cover. On the other hand, the cover still makes a difference. In a recent New York Times essay, satirist/memoirist Joe Queenan has a startling realization: But in the next room, in the cabinet where I keep my unread books, I was stunned to realize how many of these neglected works were eyesores. Some were bland or ugly because they dated from earlier eras or because they came from England. Particularly ghastly was the 1951 Modern Library hardcover edition of Edward Bellamy’s “Looking Backward,” which looks like a trash-bagged […]


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The WSJ's Interview with Cormac McCarthy

So you didn’t win the auction for Cormac McCarthy’s typewriter. (Ahem–if you did, we know a great literary site that you could support as well!) For everyone else without a spare $254,500, we offer this interview with McCarthy in theWall Street Journal, available online for free. In the wide-ranging conversation, McCarthy discusses the film adaptation of his novel The Road, how his relationship with his 11-year-old son influences his work, the violence in his work, and much more: WSJ: Does this issue of length apply to books, too? Is a 1,000-page book somehow too much? CM: For modern readers, yeah. […]