From the Archives: “What does my reaction to all this say about me as a reader, as a person? … Am I angry at Ben Lerner and his book or am I angry at me?”: Jennifer Audette on learning to love Lerner’s 10:04.
“It’s as if I hadn’t really read the work until I wrote the essay.” Benjamin Woodard interviews Douglas Glover about the art of the craft essay and his recent collection of them, The Erotics of Restraint, out now from Biblioasis.
In the newest contribution to our Teaching Writing Series, Laura Valeri describes the rewards of teaching her students to utilize primary research such as oral histories, court transcripts, and testimonies as avenues for inspiring their own fiction, as well as how working with these resources can prompt productive classroom discussions on “ownership, truth in fiction, and about the ethical nuances of writing another person’s story.”
In this essay, Baxter writes that a trustworthy review has “a kind of doubleness: the reviewer manages to assert somehow that the book under discussion is of some importance for one reason or another; and second, a good review provides a formal description of the book’s properties, so that you could reconstruct it from the reviewer’s sketch of it.”
Quite early on in The Art of Subtext, Charles Baxter gives a tongue-in-cheek suggestion for a compelling story: “give the character exactly what s/he wants, and see what happens.” In Eisenberg’s stories, having what one wants is an unexpectedly fraught condition.
Welcome to the world, FWR. And welcome, world, to the booksite. Here’s hoping we can shine some love on that oft-misunderstood genre called fiction. You can read about our mission here and check out reviews, interviews and essays. We welcome ARCs from publicists and submissions from writers. This blog is going to be a hodge-podge of book news, recommendations, links, reviewlets, and discussions. I make no promises about being fair, balanced, consistent, or completist, but I hope to keep things interesting. Here’s to the lovely and fearless Marissa, who made this site possible, and to all FWR contributors for suspending […]
