Laura Maylene Walter talks about writing her IPPY-winning debut collection, Living Arrangements, using awkward high school photos to promote it, and honoring those who helped inspire it.
Every story that I write feels like a kind of experiment. The challenge in crafting a story is how to engage a reader emotionally, intellectually, experientially. I’m always looking for some kind of challenge, some kind of structural or narrative constraint to try and figure out. […] I mean, the story “Orientation” is a gimmick. […] But so what? All that matters is that a story, whatever the structure, must be grounded in the humane. ~ Daniel Orozco Further Reading: Read more about Daniel Orozco on Fiction Writers Review Looking for something to read? Check out the Stories We Love […]
Some of the students loved words like “denial” and “dysfunction.” Characters in fiction “had issues.” It was the early 90s and people talked like this. I’d just gotten a flyer in my mailbox announcing the World’s Best Short Short Story contest sponsored by Florida State University and the late Jerome Stern. I made copies of the 1991 winner, “Baby, Baby, Baby,” by Francois Camoin. We read it out loud. Everyone admired the story’s energy and wild inventiveness. “Baby,” I wrote on the blackboard. I asked everyone to name a food. “Rutabagas,” said the country singer. “Pigs’ knuckles,” said the clown who liked to shock […]
Last week we featured Lucia Perillo’s collection Happiness is a Chemical in the Brain, and we’re pleased to announce the winners: Dana (@danadilly) Rachel Farrell (@rachelfarrell) Connor Ferguson (@csferguson) Congrats! To claim your free copy, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us! Thanks to all of you who are fans. We appreciate your support. Let us know your favorite new books out there!
It just kept nosing its way into my own novel—“A&P” by John Updike. I’d first read it when teaching lit classes years before, and now, as I finished my third novel, my characters kept making references to it: a girl’s mind “just a little buzz like a bee in a glass jar” or the way the boy at the register sees the girls’ bathing suits. Knowing it’s best to let the subconscious have its way while writing fiction, I let the story in, even as I wondered what it was doing there. My novel, Grand Isle, was in print a […]
“[T]he value of a short story is the same as the value of all literature—that it allows a person to confront the world in a new way, that at its best it has the power to act as a transformative experience, and to leave the reader changed—smarter and more empathetic. I think there’s something especially lovely about being able to have a complete, meaningful emotional experience in the time it takes to read ten to twenty pages.” ~ Danielle Evans Further Reading: Read more about Danielle Evans on Fiction Writers Review Looking for something to read? Check out the Stories […]
I’ll be totally honest: I really did not expect to like Frankie Thomas’s “The Showrunner” at all. It starts off at a casting session for a fictional Disney-esque tween series, and not only am I biased against stories that saturate themselves in current pop culture—I tend to like a little patina on my cultural references—I expected the story to be as flimsy as the TV show at its center. I was completely wrong. Within half a page, I was unable to put the piece down. (No joke: I was late to pick up my son from daycare, I was that […]
“I think the best stories start from something tiny. […] A short story can easily destroy itself through metastasis. I think if you start a story with more than two scenes in mind, you may be doomed. At least you have a hell of a lot of work ahead of you. If I start off trying to get at this one little moment, that’s all I want to do. And then I have to build the world that makes that moment happen.” ~ Wells Tower Further Reading: Read more about Wells Tower on Fiction Writers Review Looking for something to […]
Desire is the writer’s best friend. When you know what your main character wants, you have your entire story. When someone wants something–badly–he or she will get up off the couch and try to attain it. The object of desire might be a new winter coat (“The Overcoat” by Gogol), a boy (“City of Boys” by Beth Nugent), money for a family member’s medicine (“King of the Bingo Game” by Ralph Ellison), a business contract (“Like a Bad Dream” by Heinrich Boll)–it doesn’t matter, as long as the desire is concrete and the character can pursue it. The character’s desire […]
Most stories we read, hear, even tell — we forget. A scant few haunt us across years. The best ones never leave. I still remember the first time I read One Story issue #141 on the F train. Early November in New York, when wet, bare branches foreshadow winter. It begins: Freda weighed eighteen pounds when she was born. Her feet were each six inches long. At ten, she was taller than her father. Five feet eleven and one-half inches standing in her socks. I can’t keep you in shoes, her mother would say, and they went to Woolworth’s for […]
