Twice recently, while riding the train, I’ve noticed someone reading David Foster Wallace’s Oblivion, and both times I’ve found myself wondering if–hoping, really–the someone was reading a particular story from that book: “Good Old Neon.”
Over at The Millions, Sonya Chung’s essay “The Mommy Problem” throws more questions at a question I’m still trying to answer. I, too, have indulged in her habit of close-reading women writers’ biographies for suggestions of children and clues as to their familial satisfaction to productivity ratio. While the argument over how writers should spend their time, money, and reproductive organs is endless, and as Chung points out, ultimately individual and unanswerable even through close examination of the examples we have, the question of how acceptable or manageable it is to be a writer-slash—whether that slash is a parent, a […]
Neela Banerjee talks with Kathryn Ma, the first Asian American to win the Iowa Prize in that contest’s 40-year history. Ma channels rage and its antidote, humor, in her debut collection, All That Work and Still No Boys, which features unapologetically Asian American characters who don’t do any cooking or talking to ghosts.
Are you “smarter in print than in person?” (I’m raising my hand.) And are you behind in your reading? (That’s me. Again.) In the Sept. 27 NY Times Sunday Book Review, Arthur Krystal investigates why good writers aren’t necessarily great conversationalists. Should we blame the antisocial demands of our work? Or do our mouths stammer because they’re out of practice — because our brains are used to the pace of writing (not to mention its magical editing function)? Or while our mouths make words, are our brains secretly elsewhere, still working on something? Or are they dormant, resting? Do our […]
“Every book I publish is an opportunity for me to reinvent myself as a writer.” — Steve Katz
The easy thing to do when we finish one writing project, the default thing, is to simply think about what we’re going to write next. Katz’s words, however, call us to engage in a deeper kind of reconsideration of ourselves, because what we write and who we are as writers are two crucially different things.
Tonight I’m looking forward to attending a (free!) panel discussion, Jewish Intellectuals and the Writing Life , at CUNY with Erika Dreifus (of Practicing Writing and The Practicing Writer). Here’s the description from CUNY Grad Center’s website, should any New York-based writers like to join us: EVENT: Jewish Intellectuals and the Writing Life DATE: 4/29/2009 TIME: 6:30 PM ADDRESS: 365 Fifth Avenue / Manhattan PHONE: 212-817-2005 ROOM NUMBER: The Skylight Room (9100) PRIMARY EVENT SPONSOR: Center for the Humanities SUMMARY: Join prominent intellectuals as they discuss the relationship between literary reputation, intellectualism, and Jewish life. Participants include Morris Dickstein, Ruth […]
I finally succumbed and joined Twitter‘s ranks this weekend. Shortly after joining, I learned through a topic called #AmazonFAIL — 5 million+ comments — about Amazon’s new and highly sketchy policy regarding “adult” books. Below is Amazon’s response to author Mark Probst about why his YA book’s sales figures are no longer listed, followed by excerpts from and links to protests/responses: Amazon, to Probst: In consideration of our entire customer base, we exclude “adult” material from appearing in some searches and best seller lists. Since these lists are generated using sales ranks, adult materials must also be excluded from that […]
Happy Pesach from FWR! I was planning to link to some Passover-themed short stories or poems, but it turns out they’re in short supply, at least in free textual online form. My own favorite ode to the holiday is William Finn’s song “Passover” from his heartbreaking song cycle Elegies. Like many of Finn’s songs, it packs the emotional punch and narrative depth of a short story into three minutes. Instead of a story or song, I offer this excerpt from Rabbi Stephen Julius Stein’s 2008 essay “Truth in Storytelling”, from JewishJournal.com. This follows a discussion of some contradicting stories — […]
In a comment to an earlier blog post, Celeste asked the following questions, which deserve a discussion of their own: I think this is an issue that writers of any minority group–-religious, ethnic, and so on–-face: must we write about our “own” group? Do we have a responsibility to write about our own group? And, on the flip side, if we write only about our own group, do we limit ourselves unnecessarily? Do we risk being dismissed by a larger audience? Thoughts?
The Asian American Writers’ Workshop and Hyphen announced today that Shivani Manghnani‘s “Playing the Sheik” has won their 2008 Short Story Contest. The story will appear this April in Hyphen‘s Issue 17. Among the finalists is FWR contributor Celeste Ng, for her story “Girls, At Play.” Congrats to Shivani, and to Celeste and the other finalists! The AAWW is currently selling raffle tickets ($20 apiece) to raise money for the Workshop and support Asian American literature. The prize, should you wish to enter, is this rather fetching Vespa.
