In what he dubs a “Chronicle in Fact and Fiction,” Silverstein’s book takes aim at the figurative and often porous boundary between memoir and the novel…The author’s real life misadventures inspire their fictional counterpart, and the fiction in turn dovetails with the next stage of his itinerary. As he hops from Texas to Louisiana to Mexico, Silverstein is like a recurring protagonist in a collection of linked stories.

In an essay for the New York Times, professor of logic Timothy Williamson examines the connections between imagination and reality—and comes to some counterintuitive conclusions:
On further reflection, imagining turns out to be much more reality-directed than the stereotype implies. If a child imagines the life of a slave in ancient Rome as mainly spent watching [...]

Peter Selgin’s debut novel, Life Goes to the Movies, is based in large part on his experiences growing up in New York in the 1970s. JT Torres talks to the author about bringing fact to fiction, strategies for the revision process, why identity is so important in his work, and more. Following the interview is an exclusive excerpt from Selgin’s novel-in-progress, Hattertown.

Why do people read fiction? That’s what one user asked recently on Metafilter, a popular community weblog:
I don’t understand human behavior. Why do people read and watch fiction books and dramas? It seems like a waste of time.
The question garnered over 50 responses—most of which were elegant and eloquent explanations of the value of [...]

Like many writers, I often get caught up in details. While working on my novel, I found myself checking the phases of the moon for a particular night, the temperature and weather for a particular day, whether Post-It Notes had been invented by 1977 (no), and when those annoying fasten-seat-belt warning lights became [...]

Twice recently, while riding the train, I’ve noticed someone reading David Foster Wallace’s Oblivion, and both times I’ve found myself wondering if– hoping, really–the someone was reading a particular story from that book: “Good Old Neon.”

“Good Old Neon” offers in heartbreaking detail a first-person account of the psychological suffering that leads the apparent narrator, Neal, to suicide. The story begins, “My whole life I’ve been a fraud,” and goes on to unpack the causes and consequences of that statement.

The latest installment of the L.A. Times’s Off the Shelf series features an essay by writer Maud Newton on why she’s writing a novel instead of a memoir. Newton describes how, as an adolescent, she always thought she’d write a tell-all True Story:
Pre-teen novels were my frame of reference. I envisaged a story in [...]

War makes strange bedfellows, but what about charity? Gawker attended the National Book Awards and asked attending writers to sign a copy of Sarah Palin’s ghostwritten memoir Going Rogue. The signed book is now up for auction on eBay, with proceeds going to Save the Children.
Actually, the combination of Palin + literary stars [...]

“Fiction is my default writing mode. Whenever I witness something odd on the streets or hear intriguing dialogue on the trains, my first impulse is to drop these things into my fiction bank. I don’t have a memoir bank. Fiction, to me, is running through the woods rather than running on a treadmill. It’s freedom to make up characters, setting, situations, etc.—and through this freedom I feel better equipped to express and explore my ideas.”

Reviewlets give FWR contributors the chance to recommend books of all genres that other fiction writers might enjoy. Reviewlet Rewinds like this one highlight books published more than two years ago, and Reviewlet Classics refer to books published more than twenty years ago.

At first I was not so sure about She Got Up Off the [...]