Lee Thomas calls Michael David Lukas’s debut novel, The Oracle of Stamboul, an antidote to mid-winter malaise with “sun-drenched marble, the heat and clamor of the bazaar, and a warm, salt breeze off the Sea of Marmara.” The book features a precocious prodigy, eight-year-old Eleonora Cohen, as a guide through Lukas’s tale of political intrigue in late 19th-century Stamboul.
Most writers have special workspaces in their homes, but how many can shift their space to suit their moods? Liu Ming, a feng shui teacher in Oakland, CA, has outfitted his loft apartment with a mobile, 8-foot cube that functions as a mediation area, study, and sleeping area. The New York Times reports: “In feng shui, we talk about the harmony in the place that you live in,” Mr. Liu says. “The cube evolved out of wanting cozy with the option of keeping a big, open space at the same time. And we added wheels for feng shui purposes. Now […]
Every few weeks, we launch a new Fiction Writers Review “Flipbook.” During the past two and a half years, we’ve featured more than 50 interviews with authors established and emerging. They’ve had such valuable insights into the writing life – from thoughts on process and craft to ideas about community and influence – that we wanted to find a way to further these conversations within our community. Each Flipbook highlights some of the very best of the conversations on our site, centered around a particular topic. Our latest Flipbook is now up on the FWR Facebook page, with an exclusive […]
When British books are published in the United States, and vice versa, publishers don’t generally change the text to cater to their audiences across the pond. Okay, they often adjust the spelling of a few words, like “realise”/”realize” and “practise”/”practice.” And some small punctuation changes occur—British writers tend to put their periods and commas outside quotation marks, Americans within. But these changes are quite minor. There’s one major thing that changes when a book crosses the Atlantic, though: the cover. The Millions has an interesting analysis of the UK and US covers of the books involved in the 2011 Tournament […]
Criticism has never been an easy field, but now there’s a new risk: legal action. New York University law professor Joseph Weiler is being sued for running an negative book review. Writes Weiler: Last week, for the first time I found myself in the dock, as a criminal defendant. The French Republic v Weiler on a charge of Criminal Defamation. […] As Editor-in-Chief of the European Journal of International Law and its associated Book Reviewing website, I commissioned and then published a review of a book on the International Criminal Court. It was not a particularly favorable review. You may […]
In the final essay in our series on criticism, Keith Taylor recalls the pleasure of a “chance to review a new collection of poems in a place where several thousand people might read it, and to actually be paid something for our labors.” Has the Internet created room for “a more expansive tone to the discussion of contemporary poetry” – or made an already diminishing realm more clubby? Taylor’s experience as both poet and reviewer reveals the shaping potential of creating art and criticism.
Third in our series on criticism, Stacey D’Erasmo’s essay tackles the misconception that reviewing “is, at best, a career opportunity and, at worst, a distasteful and potentially troublesome task best avoided.” In particular, she addresses the fact that the culture of the MFA program may have steered fiction writers away from the craft of reviewing. Yet she urges us to remember that many of our greatest writers were also critics who engaged in the vigorous cultural conversation that centers on books. And that it’s not only necessary for us to revive this discussion, but also a pleasure to be involved.
In honor of the online literary community, which we discussed this week in Celeste’s blog post about Virtual Book Tours and my interview with flash fiction maven Meg Pokrass, we’d like to feature online literary journal Storyglossia this Thursday morning. “Storyglossia” is a term coined by Editor Steven J. McDermott, with an impressive etymological explanation on the Storyglossia site, which you can read here. Their first online issue debuted in March 2003, and since then 41 issues of the journal have gone up – every one of which you can peruse on their easily-navigable site. In addition to Meg Pokrass, […]
Serious bookworms don’t read just on the train. They read anytime they have a minute—sometimes at their peril. The father of a certain Fiction-Writers-Review-editor-who-shall-not-be-named has been known to read the newspaper while driving. And in high school, I knew a girl who read books while walking: down the hallway AND down the sidewalk. I was never quite able to master this skill. As usual, technology has come to the rescue. Inkstone Software has added the “Walk N’ Read HUD (Heads-Up Display)” feature to their e-reader MegaReader—and it does just what it says on the box. Explains the company’s press release: […]
This week we’re revisiting the 2011 AWP Conference in more ways than one. Yesterday we posted Jeremiah Chamberlin’s introductory talk for the AWP panel he moderated, “The Good Review: Criticism in the Age of Book Blogs and Amazon.com.” This morning, we posted Charles Baxter‘s discussion of “Owl Criticism” from the same panel. Stay tuned for two more essays by the panelists Stacey D’Erasmo (tomorrow) and Keith Taylor (Friday). Seeing so many contributors, and connecting with writers, teachers, publishers, agents and lit journals who share our enthusiasm for FWR, was amazing. It also reminded us of the vital role you, dear […]
