Suspend Your Disbelief

Recent Posts

Shop Talk |

Critterati: the literary, costumed pet

I’ve been meaning to post about the Book Bench‘s whimsical dress-up-your-pet-as-literary-character Critterati contest for several days, but there have been technical difficulties. Namely, my cat, Mr. Oliver Dash Stameshkin-Zook, has proved resistant to dressing up as Dickensian orphan Oliver Twist. Blood was shed; there may even be scars. What there isn’t, sadly, is a photograph of Oliver in a Newsies cap, looking expectantly up at me from an empty food bowl. Please sir, can I have some more? He was willing to show his love for the dictionary, however, so perhaps he prefers The 25th Annual Putnam County Spelling Bee? […]


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it's okay to be scary…and scared

One last take on Where The Wild Things Are: its author, Maurice Sendak, has some advice for parents who think the book is too scary for kids: “I would tell them to go to hell,” Sendak said. And if children can’t handle the story, they should “go home,” he added. “Or wet your pants. Do whatever you like. But it’s not a question that can be answered.” In a bracingly unsentimental interview with Newsweek, Sendak, director Spike Jonze, and screenwriter Dave Eggers discuss why Max’s dinner is “still hot” and not “still warm,” why he believes Disney is bad for […]


Shop Talk |

Less is More

Earlier this year, the New York Times profiled the writing space of novelist Roxana Robinson. Robinson lives on the Upper East Side near Park Avenue and has a study that would seem the ideal lair for a novelist. This room […] combines all the necessities of 21st-century life — computer, printer, fax machine — with immense personality, thanks to dozens of works of art and memorabilia that paint an indelible portrait of Ms. Robinson and the richly textured world she inhabits. Instead, however, she chooses to write “in an 8-by-10 space that faces a tan brick wall and was formerly […]


Reviews |

Secret Son, by Laila Lalami

Few places are more evocative of mystery and the exotic than Casablanca. And anyone who has ever imagined its fragrances or color will recognize the setting of Laila Lalami’s second novel. But those who imagine Casablanca merely as a city of romance and North African charm may find themselves at a loss to reconcile the spices of their imagination with the brutal realities of poverty and the political and religious corruption Lalami portrays in Secret Son (Algonquin Books, April 2009).


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Wild Things Roundup

Maurice Sendak’s picture book Where the Wild Things Are is nearly 50 years old, but the release of Spike Jonze’s film adaptation has sparked a resurgence of critical interpretations of the story. A sampling: On the Oxford University Press blog, philosophy professor Stephen T. Asma ties our love for Where the Wild Things Are to our fascination with other monsters–“zombies, vampires, and serial killers”: As the movie’s trailer reminds us, “Inside all of us is a wild thing.” And in our therapeutic era, we generally accept that it is good and healthy to visit our wild things –to let them […]


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Boston Book Festival – This Weekend!

Boston-area FWR readers, check out the Boston Book Festival THIS Saturday, October 24, 10:00 am to 6:00 pm at Copley Square. The festival features readings, lectures, and discussions such as: Keynote speaker Orhan Pamuk “Ties That Bind”: novelists Richard Russo, Michael Thomas, and Elinor Lipman on the family in fiction John Hodgman interviewed by Tom Perrotta “Book Worms and Net Crawlers”: thoughts on “the ubiquitous internet and the explosion of social media” by authors Ben Mezrich and Ethan Gilsdorf and New York Times technology columnist David Pogue. (Read the FWR review of Ethan’s book, Fantasy Freaks and Gaming Geeks, here.) […]


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McSweeney's 33: Litmag Meets News

McSweeney’s next issue will be packaged in the form of an old-fashioned newspaper. The New York Times‘s ArtsBeat reports: McSweeney’s No. 33 is to be in the form of a daily broadsheet — a big, old-fashioned broadsheet. The pages will measure 22 by 15 inches. (Pages of The New York Times, by comparison, are 22 by 11 1/2 inches.) Called San Francisco Panorama, the editors say it is, in large part, homage to an institution that they feel, contrary to conventional wisdom, still has a lot of life in it. Their experience in publishing literary fiction is something of a […]


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I Can't Go On, I'll Go On

Junot Diaz has a powerful and inspiring essay in O Magazine about writing his Pulitzer-Prize winning novel The Brief Wondrous Life of Oscar Wao. Though the piece is titled “Becoming a Writer,” it’s really an account of almost giving up on writing and, inexorably, being drawn back to it: Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn’t been pretty damn cool. But they were cool, showed a lot of promise. Would also have been fine if I could have just jumped to something else. But […]


Interviews |

Unexpected Connections: A Conversation with Allison Amend

Celeste Ng talks with Allison Amend about the author’s debut short story collection, Things That Pass for Love, as well as “likeable” characters, unfaithful dogs, the future of short fiction, Allison’s current projects, and those unexpected moments we share with strangers.


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Rolling back prices, indeed—Wal-Mart and Amazon in preorder price war for this season’s new hardcovers

In the Arts section of today’s New York Times, Motoko Rich reports on the “tit-for-tat price war between Wal-Mart and Amazon [that] accelerated late on Friday afternoon when Wal-Mart shaved another cent off its already rock-bottom prices for hardcover editions of some of the coming holiday season’s biggest potential best sellers, offering them online for $8.99 apiece.” Originally the company had intended to sell these selected books at $10, but Amazon, perhaps feeling threatened by Wal-Mart’s foray into the online retail market, retaliated by lowering their prices on the same titles to a mere $9. So Wal-Mart responded in kind, […]