“Those are the moments when the book comes alive, precisely the moments when you, the author, seem to have the least say-so over it”: Lamar Herrin talks with Paul Cody about Southern writing, Homer, and his new novel, Father Figure.
“My sense is that the job of a writer is to direct his or her gaze at what we would otherwise hurry past”: Mark Powell chats with R. Mac Jones about the “Rough South” and his new novel, The Sheltering.
“I would be doing a great disservice to my fiction, to my readers, and to myself if I ever wrote about any other place”: David Armand talks with Dixon Hearne about landscape, Southern Louisiana, and his forthcoming novel, The Gorge.
The debut author on the inherent tensions of Appalachia, choice and chance, and how opportunistic, narcissistic, desperately flawed teenagers provide the fertile ground for Wild Girls.
When Wiley Cash found himself homesick for the mountains of western North Carolina, he didn’t drive or fly home—he wrote his way back. In this interview, Cash discusses the importance of place in his debut novel, the legacy of Southern literature, and the influence of mentors on his work.
Novelist William Gay, who died late last month at the age of seventy, was the topic of several conversations I had at AWP this year. Most of the talks centered on Gay’s work, which was sublime, or his soul, which was sweet; we fond remember-ers would all have a sip of beer and nod somberly. He’ll be missed, we’d say. What else can you do? But sitting here today, at my post-AWP desk, in the quiet of my office full of books and stacks of revisions that need entering, I’m thinking of William Gay again. I only met him a […]
Jesús Ángel García’s debut “transmedia” novel, badbadbad is fast, fun, irreverent, and unlike anything else in the fiction aisle. Starring a lead character who shares the author’s name, the book follows his descent from devout webmaster to the obsessed savior of a pornographic social network. Also included: a documentary, a soundtrack, a chapter-by-chapter YouTube playlist.
In this wide-ranging review, Brad Wetherell looks at Tom Franklin’s newest novel Crooked Letter, Crooked Letter and considers the way Franklin subverts genre expectations, as well as how e-readers like the Kindle have the potential to change readers’ expectations.