Suspend Your Disbelief

Posts Tagged ‘Thursday morning candy’

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Thursday morning candy: Vectors

by Lee Thomas

In homage to the conversation about teaching creative writing in 21st century that we published last week, I’d like to highlight something a little different to jolt your creativity this Thursday morning. Vectors: A Journal of Culture and Technology in a Dynamic Vernacular. I first heard of it via Anna Leahy’s shout out in Part 2 of the aforementioned essay, “Where Are We Going Next?” The USC-based journal may not be a lit magazine in the traditional sense, but spending some time on the site has certainly gotten my mind racing with ideas, connections, energy – all vital to the […]


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Thursday Morning Candy: Fogged Clarity

by Celeste Ng

Founded in 2009, Fogged Clarity is an online, non-profit arts review that incorporates visual art and music in addition to fiction, poetry, essays, interviews, reviews, and original multimedia content. The “Fogged Clarity Sessions,” for instance, feature musicians visiting the studio to record several tracks, mostly acoustic. Writes executive editor Ben Evans: I have always believed that the most important thing a human being can do is create, and if creation is the whispering of personal truths into the commotion of existence, then I established Fogged Clarity to make those whispers a little more audible. The combination of visual art, music, […]


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Thursday morning candy: The Drum

by Celeste Ng

Those who take public transportation get to read during their commutes every day. But what about those who have to drive? Here’s one solution: The Drum, an online audio literary magazine, which bills itself as “a literary magazine for your ears.” Issues feature short stories, essays, and novel excerpts, all available to stream or to download to the device of your choice. Most content is free access; individual pieces are available for purchase after they’ve been on the site for three months. Recently, The Drum also formed a partnership with audio publisher Iambik: Being in the business of audio literature, […]


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Thursday morning candy: Tin House

by Lee Thomas

The founders of Tin House – magazine, book publisher, workshop destination – put their mission best, so I won’t try to improve upon it: The first issue of Tin House magazine arrived in the spring of 1999, the singular lovechild of an eclectic literary journal and a beautiful glossy magazine. Publisher Win McCormack said of the effort, “I wanted to create a literary magazine for the many passionate readers who are not necessarily literary academics or publishing professionals.” From their latest issue (pictured above), which fills me with a tinge of nostalgia (did anyone else think of Jan Brett’s wonderfully […]


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Thursday morning candy: Ploughshares

by Lee Thomas

In a landscape crowded with brand-new literary mags – which are always exciting to FWR – we want to give a shout out to an old stalwart: Ploughshares. Started in Cambridge, Massachusetts in 1971, Ploughshares has called Emerson College home for the past two decades. Several Fiction Writers Review contributors have had work appear in the magazine, including Valerie Laken and brand new Contributing Editor Travis Holland. One of my favorite aspects of Ploughshares is that every issue is edited by a different guest editor, who shapes the theme and selects pieces with his or her own particular aesthetic. Past […]


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Thursday morning candy: Wigleaf

by Lee Thomas

There’s something to be said for simplicity. An afternoon spent at the park. Only what you can fit in your pocket. A bowl of fresh apricots straight from the tree (sorry, New York has me dreaming of summer already). Every time I visit Wigleaf, their clean design aesthetic, wide margins and punchy, brief stories of under 1,000 words feel like a cool drink of water on a hot day (even when I am looking at several inches of snow outside the window). Wigleaf started in 2008, and we have Scott Garson to thank for the design and main editing on […]




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