Character likability. “Plot-driven” as pejorative. Research limits in historical fiction. The mail-order-bride as escape route. The double-edged sword of social media. Anna Solomon tells it straight in this conversation with Sara Schaff.
In conversation with Julie Judkins, author Scott Nadelson discusses how the “mad mystic hammering” of Bob Dylan inspired him to become a writer, why being a formerly reluctant reader informs his teaching, and how New Jersey has evolved in his fiction from an actual place to a state of being.
“What a bitch of a thing prose is!” Gustave Flaubert wrote in a letter to his lover Louise Colet in 1852. “It’s never finished; there’s always something to redo. Yet I think one can give it the consistency of verse. A good sentence in prose should be like a good line in poetry, unchangeable, as rhythmic, as sonorous.” In this essay, contributing editor Travis Holland meditates on Flaubert’s influence and legacy in fiction.
Writers are continually told to trim their work down, but is that always the best course of action to follow? Not if you don’t know why.
Jonathan Lethem discusses our unwillingness to let go of the Tinkerbell-myth of benevolent power, MFA programs, the idea of New York City as a Ponzi scheme, why in some ways subcultures are all that exist, and his past and future work in this wide-ranging interview with Roohi Choudhry.
“Thunderstruck,” Aaron Cance describes his reading of Bruce Machart’s two debut books: a novel, The Wake of Forgiveness, and a story collection, Men in the Making, out this week. They also discuss the themes of faith, masculinity, and love, and how a New England basement is a helpful metaphor for writing.
What happens when a composer falls in love with a David Foster Wallace short story? Eric Moe describes the genesis of his “sit-trag /concert monodrama” Tri-Stan, his correspondence with DFW about the project, the challenges of translating a short story to a one-woman vocal piece, and why “making art is a lot more exciting when big risks are being taken.”
Tyler McMahon’s new novel, How the Mistakes Were Made, is a tragedy set to rock and roll. In this conversation with Caleb Winters, McMahon recalls the paranoia of Cold War America, shares his experiences touring with a band, and reveals how writing can be like church.
This week’s feature is Orientation, by Daniel Orozco. Published in May by Faber & Faber, this long-awaited and much-anticipated collection is Orozco’s first book. His stories have appeared in such places as Zoetrope: All Story, Ecotone, Harper’s Magazine, McSweeney’s, StoryQuarterly, Mid-American Review, Seattle Review, and Story. In 1995 the title story of this collection was selected for inclusion in The Best American Short Stories, and in 2005 “Officer’s Weep” was anthologized in Best American Mystery Stories. He was a Scowcroft and L’Heureux Fiction Fellow and a Jones Lecturer in Fiction in the Creative Writing Program at Stanford University. He has […]
Last week we featured Miracle Boy as our Book-of-the-Week title, and we’re pleased to announce the winners. Congratulations to: Kate Thompson (@kateEthompson) Francesca Miller (@creoleimp) Angela Meyer (@LiteraryMinded) To claim your copy of this collection, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us!
