Dana Kletter sits down to talk with famed fiction writer Allan Gurganus. Their conversation ranges from sexuality to southerness, from his affinity for the 19th century to how reading the work of fellow writers can be a shaping force in one’s fiction, from gardening between paragraphs to Halloween political activism, and plenty more about teaching and the craft of writing.
“One is not born a genius, one becomes a genius.”
— Simone de Beauvoir
Adam Haslett’s 2002 story collection, You Are Not a Stranger Here, was a finalist for a Pulitzer Prize and a National Book Award. His first novel, Union Atlantic, which focuses in part on unregulated trading, unethical banking, and the prospect of a massive economic collapse, was published this spring by Nan A. Talese/Doubleday. Kate Levin talks with the author about fiction meeting reality, the psychology of power, the responsibility of writers to capture the social and political context of an era, and exposing ourselves in our characters.
“For those of you who have yet to publish your first book, I can predict with about 96% certainty how it will go: It won’t happen when you want it to, or in the way you expect. Of course it’ll take longer than you want — you know that. It’ll take so long you could grow a tree, learn forestry and paper-making, then print and bind it yourself and carry it by hand to every last remaining independent bookstore in the country. That is, if you don’t succumb first to addiction, poverty, despair, humiliation, or suicide. In short, it will take longer than you think you can stand, and yet, in the end, as you struggle to make your last-chance, oh-my-God-this-is-going-out-in-the-world? revisions, you’ll inevitably feel rushed and wonder where all that time went.”
The classic The Things They Carried is being re-released in honor of its 20th anniversary, so unsurprisingly, Tim O’Brien keeps popping up in my radar lately. Besides being a powerful writer, O’Brien is also a great teacher, and in his recent interviews he offers useful thoughts for writers of all levels. In this interview for Beyond the Margins (with Grub Street program manager Sonya Larson), O’Brien discusses the writing of The Things They Carried, how being a father changed his writing, and recent literary works by soldiers stationed in Iraq and Afghanistan: I have read a number of books and […]
“When I was asked whether I’d be interested in taking part in a panel on turning the MFA thesis into a first book, I said yes right away, but I wasn’t sure what I could contribute. In fact, I felt like a bit of a fraud because my journey from the thesis to the published book was so long and roundabout. But I’ve convinced myself that this is part of what makes my story worth telling here, because long and roundabout might be just as common as quick and straightforward, and my particular kind of roundabout experience makes me feel emboldened to give certain bits of advice.”
In the newest installment of Poets & Writers magazine’s Inside Indie Bookstores series, FWR Associate Editor Jeremiah Chamberlin profiles Chicago’s fabulous Women & Children First bookstore, featuring an interview with the bookstore’s co-owner Linda Bubon. The online version (along with a slideshow of images from the store) is available at no cost on P&W‘s website…but if you want a print copy, Poets & Writers‘ special offer to Fiction Writers Review readers (only $12 for a year-long subscription) is still up for grabs; if you order through this page before May 15, you’ll get the current issue featuring Women & Children […]
“I don’t mind that when I’m interviewed I am speaking as a representative of biracial women. I’m heartened that people are interested. I do wonder, though, when the book is critiqued as being not enough about the biracial experience. To that criticism I say, Well, okay, but it’s not a position paper. It’s a story. … I have had a number of people “come out” to me, for lack of a better word, about their blended families, or about their grief, or about simply being a young person struggling against the labels, like geek or nerd, that they’d been assigned by peers. … They’ve connected their own stories to the stories I’ve told and suddenly feel empowered to talk about it.”
Charles Johnson taught creative writing at the University of Washington from 1976 to 2009. He is the author of numerous books, including the National Book Award-winning Middle Passage. Zachary Watterson, one of Johnson’s former students, talks with his mentor about the literary friendships that have influenced the author’s more than forty-year writing career.
“Were I called on to define, very briefly, the term Art, I should call it ‘the reproduction of what the Senses perceive in Nature through the veil of the soul’.” –Edgar Allan Poe
