Lyrics 1964-2008 (Simon & Schuster, Nov. 2008), the first collection of every word to every song Paul Simon has written in the past forty-four years, reads like a collection of short-stories, something reminiscent of Grace Paley or Richard Ford. Click here to read (and respond to) Phil’s essay/review.
Lyrics 1964-2008 (Simon & Schuster, Nov. 2008), the first collection of every word to every song Paul Simon has written in the past forty-four years, reads like a collection of short-stories, something reminiscent of Grace Paley or Richard Ford.
Like a cold, northeastern version of Thomas McGuane’s 92 in the Shade, Lee Polevoi’s impressive debut novel, The Moon in Deep Winter, is the story of a misguided homecoming gone wrong. After years spent as a bit player on the margins of Southern California’s criminal underworld, Parker returns to his rural New England town, hoping to reconcile differences with his mother, his younger half-siblings, and his dictatorial step-father. He soon finds that his family secrets run even deeper and darker than he thought.
Pamela Ehrenberg is the author of a new YA novel, Tillmon County Fire, which has just been released from Eerdmans Books for Young Readers. Eerdmans also published her first book, Ethan, Suspended, in 2007. Pam and I have been members of a six- or seven-person writing group since 2004. She has an amazing ability to make characters come alive, a natural instinct for the puzzle of a story, and also a tremendous sense of dedication and productivity that existed long before she had a book contract. She’s also one of the kindest people I know, and it shows in her […]
To answer the personal question “Do I love books, or do I love reading?” — and the larger question “In which format(s) is the book most likely to endure?” — author Ann Kirschner (Sala’s Gift) tried Dickens’s Little Dorrit in four formats: paperback, audio, iPhone, and Kindle. She discusses her impressions of each in this Chronicle of Higher Education article. Among them: the particular pleasures of audio books, why the iPhone e-reader is “a Kindle killer,” and the power of story to transcend any device. Read Little Dorrit in paperback. Listen to Little Dorrit as an audio book Read Little […]
Dzanc Books announced yesterday that they are launching a monthly online literary journal, The Collagist, which will feature stories, poems, essays, and book reviews; the first issue will publish on August 15. Each month The Collagist will deliver outstanding new short stories, poems, and essays from both emerging and established writers, as well as an exclusive excerpt from a forthcoming novel. Early excerpts will include works from the standard bearers of independent publishing, including Coffee House, Two Dollar Radio, and Unbridled Books. The Collagist will also publish several new book reviews in every issue. The Collagist is immediately open for […]
Click here to read Tyler McMahon’s review in full. Here’s a taste: Like a cold, northeastern version of Thomas McGuane’s 92 in the Shade, Lee Polevoi’s impressive debut novel, The Moon in Deep Winter, is the story of a misguided homecoming gone wrong. After years spent as a bit player on the margins of Southern California’s criminal underworld, Parker returns to his rural New England town, hoping to reconcile differences with his mother, his younger half-siblings, and his dictatorial step-father. He soon finds that his family secrets run even deeper and darker than he thought.
Let’s face it: fiction writers do not have a reputation for being carefree, untroubled souls. Even
our fellow artists consider us broody navel-gazers who are overly introspective and perhaps even in love with our own problems. (We do, after all, tend to keep writing about characters whose psychic profiles overlap significantly with ours.) The general public is hardly more charitable, usually assuming that (a) we study them to gather material, or (b) we all write thinly-veiled autobiography, and are so blind as to not even be aware of it. Do we deserve assessments like these? Probably so…
Join me this Saturday, June 13, at 3 PM on Central Park’s Great Lawn. I’ll be taking advantage of free cupcakes and the chance (also free) to hear Bridget McNulty read from her debut novel, Strange Nervous Laughter. (Check out Bridget’s blog tour post here on FWR.)
Fiction super-hero Ron Hogan (editor of Beatrice and senior editor of GalleyCat) and the Mercantile Library Center for Fiction have been in cahoots, and I am thrilled to announce that in just a few weeks, they will launch an exciting event: the first ever Center for Fiction Writers’ Conference. This day-long symposium is specifically intended for writers who already have a finished book and an agent, but who want to learn more about how the publishing world works–and how best to navigate it. In this post on Buzz, Balls, and Hype, Ron Hogan blogs about why this conference is important […]
