Danielle LaVaque-Manty is a freelance editor living in Ann Arbor, Michigan. Her fiction has appeared in Glimmer Train, Sou’wester, The Pinch, The Baltimore Review, New Delta Review, and Monkeybicycle, among other journals.
“I wanted to explore how the uniquely female experiences of pregnancy, childbirth, and breastfeeding might impact women who otherwise often try to resist traditional gender roles”: Polly Rosenwaike talks with Danielle LaVaque-Manty about her debut collection, Look How Happy I’m Making You.
“I wrote big swaths of this book operating on instinct, and I had a lot of luck with the instincts later bearing fruit”: Holly Goddard Jones with Danielle LaVaque-Manty on dystopian fiction, Cracker Barrel, and The Salt Line, out this week from G.P. Putnam’s Sons.
“My final suggestion is to feel free to ignore all of the above advice or any other ‘shoulds'”: Ann S. Epstein with Danielle LaVaque-Manty on self-teaching, researching historical fiction, and her debut novel, On the Shore.
“While the focus remains on R’s mother and her quest, we see how a plight that seems unique when the story opens—how many mothers set out to rescue their sons from foreign militants?—lies on a continuum of vulnerability for women living in nations at war.”
Donald Lystra, who published his first novel Season of Water and Ice after retiring from a career as an engineer, talks about making the transition from engineering to writing, publishing with a small press, winning a Midwest Book Award, and what people get wrong about the 1950s.
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