“I think that the whole project of fiction is that you’re asking somebody to leave themselves and be somebody else in this fictive space”: Catherine Lacey talks with Danielle Lavaque-Manty about short fiction, identity shedding, the poetics of sentences, and more.
“I wanted to explore how the uniquely female experiences of pregnancy, childbirth, and breastfeeding might impact women who otherwise often try to resist traditional gender roles”: Polly Rosenwaike talks with Danielle LaVaque-Manty about her debut collection, Look How Happy I’m Making You.
“I wrote big swaths of this book operating on instinct, and I had a lot of luck with the instincts later bearing fruit”: Holly Goddard Jones with Danielle LaVaque-Manty on dystopian fiction, Cracker Barrel, and The Salt Line, out this week from G.P. Putnam’s Sons.
“My final suggestion is to feel free to ignore all of the above advice or any other ‘shoulds'”: Ann S. Epstein with Danielle LaVaque-Manty on self-teaching, researching historical fiction, and her debut novel, On the Shore.
“While the focus remains on R’s mother and her quest, we see how a plight that seems unique when the story opens—how many mothers set out to rescue their sons from foreign militants?—lies on a continuum of vulnerability for women living in nations at war.”
This week’s feature is Donald Lystra’s debut novel Season of Water and Ice. Lystra, a retired engineer, lives in Ann Arbor and spends part of each summer in northern Michigan, on the Leelanau Peninsula, where this book is set. His short fiction has appeared in many literary journals, including Other Voices, The North American Review, Passages North, and The Greensboro Review. A story called “Family Way,” which eventually grew into Season of Water and Ice, appeared in Cimarron Review in 2006, and an excerpt from the book appeared in Natural Bridge in 2009. This is his first novel. This novel […]