Suspend Your Disbelief

Shop Talk

Under the Influence: A Parable of Courage

When I send out submissions, I’m easily spooked. After receiving my 4,575th “positive rejection”—i.e., “Not a good fit this time… send more”—I wonder if He-Who-Must-Not-Be-Named is mwa-ha-ha-ing behind the scenes: “Everyone Else is Going to Be Published. Die, Sucker.” Fortunately, better writers than me have endured the soul-sucking chill of the Dementor’s Kiss. My go-to writing mantra is a story about a Really Successful Writer (hereafter known as Harry Potter) told to me by my favorite writing mentor, whom I’ll call… Hermione Granger. Perhaps the story means so much because she believed in my work. When I can’t maintain faith […]


Under the Influence… of Janet Peery

For me, the beauty of Janet (besides her flowing hair and karaoke skills, obviously) is that she forces students to name things, to make the abstract concrete. She won’t tolerate imprecise language, lazy writing, limp sentences.  I think her “Janet-isms” are in keeping with that. A lot of her funny sayings, some of them her own creations and others drawn from a lifetime of reading and study, concisely label common student writing flaws. Another former writing instructor once wrote in the margin of one of my stories, “I’m bored.” Fair enough. But, for me, that criticism was never helpful. After […]


Why Teach Book Reviewing? or, How Penn State Graduate Students Become Responsible Literary Citizens: a guest post by Robin Becker

Editor’s note: As part of our focus on teaching this month, we’re delighted to present this guest post by Robin Becker. “To stimulate, to argue, to celebrate, to explain, to describe, to amuse, to popularize new ideas, to keep the conversation going—these are part of the job and a large part of the ideal to which any good book reviewer will always aspire.” –John Gross, New York Times Book Review Editor; editor of the special 100-year anniversary issue of the NY Times Book Review I designed the graduate seminar The Writer as Critic: Reviewing Contemporary Poetry, Fiction & Non-Fiction (English […]


Book of the Week: Miracle Boy and Other Stories

This week’s feature is Miracle Boy and Other Stories, by Pinckney Benedict. Published this year by Press 53, the collection features a misfit cast of characters from the mountains of West Virginia. Known by names like “Lizard” and “mudman,” their very out-thereness commands the respect of reader. These backwoods folk may be wildly different from your friends and neighbors, but Benedict makes them impossible to ignore or dismiss, so vividly drawn they refuse easy definitions. Benedict is the author of two previous story collections, Town Smokes and The Wrecking Yard, and a novel, Dogs of God. Miracle Boy has been […]


Boot-of-the-Week Winners: Lit from Within

Last week we featured the multi-genre craft anthology  Lit from Within as our Book-of-the-Week title, and we’re pleased to announce the winners. Congratulations to: Michelle Hoover (@MichelleHoover_) Rick Fisher (@fishfire) Lit Drift (@litdrift) To claim your copy of this anthology, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us!


Under the Influence… of Robert Olen Butler

Three years into the doctoral program at Florida State University, my wife and I had tired of living like graduate students—the hard studying, hard partying, and hard poverty of it all. I thought I’d found a way out when I was offered a job and a place to live at a boarding school in western North Carolina. I called my dissertation director, Robert Olen Butler, to share my plans. “Is it money?” Bob asked. “Do you need money?” “You think it’s a bad idea? I’ll have time to write in the afternoons.” “If you fart on the squash court,” he […]


The Eras of Teaching Creative Writing

  In his 1994 book Peddling Prosperity, the economist Paul Krugman offered an analogy that I have never been able to forget. He suggests that modern economics, which he fondly calls a “primitive science,” has reached about the same level of development that medicine reached in 1900. Medical researchers had, by that time [1900], accumulated a great deal of information about the human body and its workings, and were capable of giving some critically usefully advice about how to avoid disease. They could not, however, cure very much. Indeed, the doctor / essayist Lewis Thomas tells us that the most […]


Get Writing: Scene and Summary, Minimalist and Maximalist

I have a problem telling stories. Sometimes in my excitement it’s difficult to gauge how much detail a friend, or a reader, actually needs to know. Because while not all details are important to understanding the events, to me, often the details are the most interesting part. So, if I’m trying to describe how late the train was, so late that it made me miss my doctor’s appointment, instead I might end up talking more about the argument I eavesdropped on while waiting for that train, and the maroon, bedazzled pumps of the woman who was hissing at her partner. […]


Under the Influence… of Sands Hall

Immersed in a 9-to-5, year-round office job since early 2007, I haven’t led a fiction workshop for some time. But if I should inhabit that particular teaching role again, I’d want to remind myself how the job is best done. Ideally, I’d do that by sitting in on one of Sands Hall’s workshops. I met Sands when I enrolled in her “Tools of the Writer’s Craft: Novel” workshop at the Iowa Summer Writing Festival in 1997. I subsequently returned to Iowa to take other workshops of hers. We’ve stayed in touch, and I’m proud to say that we’re friends. In […]


Under the Influence… of Arnost Lustig

I was the worst writer in my MFA program my first year.  I know this thought isn’t unique, but that doesn’t mean it wasn’t true.  My confidence was shot.  I was lost as a writer and so concerned with impressing my teachers and fellow students that I had abandoned whatever it was that made me worth accepting into the program in the first place. The following summer, I attended the Prague Summer Program, where Arnost Lustig was my workshop teacher.  We began each class with jokes.  We wrote a fable every day.  We read (after a fashion) Aristotle’s Poetics.  We discussed […]


Au Revoir, Nicole!

As the new academic year revs up and our teaching-focused month winds down, we here at FWR want to take a moment and say a huge THANK YOU to our wonderful summer editorial intern, Nicole Aber. All summer long, Nicole provided invaluable assistance behind the scenes, as well as writing up some excellent posts for the blog (see below). No matter what challenge we threw at her, she handled it with aplomb! This year, Nicole will be Managing News Editor at the Michigan Daily, and we know she’ll be amazing there as well. Dear readers, please join us in thanking […]


A Teaching Writer's Resource: Glimmer Train's Monthly Bulletin

I began submitting to Glimmer Train in 1997, the same year I received my undergrad degree in creative writing from the University of Michigan. That fall, following graduation, my now-wife and I moved to a small cabin on a lake in northern Michigan so that I could be “a writer.” I’d thought I needed to live deliberately, like Thoreau, to nurture my creative spirit. But as we’ve often joked since, the experience was more like The Shining–though with a lot less space. One positive during that experience, however, was that a story of mine received an honorable mention from Glimmer […]