Our history with print’s first-rate publications can be a comforting force, a grid of familiar local streets against the sand-swept dunes of online. And it’s this lack of familiarity with digital’s landscape that makes Dzanc’s anthology so incredibly necessary: for new and old writers alike, it’s a guidebook as much as it is a book-book.
Prior to writing his novel The Iron Will of Shoeshine Cats, Hesh Kestin mastered all things non-fiction, serving as European bureau chief of Forbes and war reporter for Newsday before founding two newspapers himself—the Israeli daily The Nation, as well as the prize-winning expatriate, The American. A career crafting leads and managing word counts has shaped Kestin’s fiction in a distinct way: though written richly, it never wastes a cent.
“I imagine the seasonally unspecified stories in Laura van den Berg’s What the World Will Look Like When All the Water Leaves Us must be set in spring because spring is a time that makes me feel young, young as girls and in as much danger. And then there’s always this odd moment of realization that I am young and a girl and in some dangers. I’m still in too-close contact with boys I once loved, still prone to crying in public, still not aware of the dynamic personal lives of adults. Spring in the Midwest is about babies and hope and vitality, but it’s also about knowing that eventually a late frost is going to swing in out of no place and kill everything you haven’t collected in the shed. And I wanted the people in these stories locked up safe.”
Fiction writer and Penn State Erie lecturer Eugene Cross has won the 2009 Dzanc Prize. The $5,000 prize is based on a manuscript-in-progress as well as a proposal for a writing-related community service project. Dzanc writes: Cross was selected from more than 100 applicants for both the quality of his fiction writing, as well as his proposal to set up and run a progressive series of creative workshops for refugees from Nepal, Sudan and Bhutan, in Erie. For his community service, Cross will conduct three 4-month workshops in concurrence with an ESL class currently being taught. We at Dzanc found […]
Each summer Dzanc Books releases The Best of the Web, an annual anthology of the year’s best poetry, fiction, and nonfiction that was published online. Of all the “Best of” collections that come out each year, this anthology, with its multi-genre interests, probably has the most in common with The Best American Non-Required Reading series. And like that anthology, this one also shares an interest in work that is driven by voice, that isn’t afraid to test the limits of its form.
Dzanc Books announced yesterday that they are launching a monthly online literary journal, The Collagist, which will feature stories, poems, essays, and book reviews; the first issue will publish on August 15. Each month The Collagist will deliver outstanding new short stories, poems, and essays from both emerging and established writers, as well as an exclusive excerpt from a forthcoming novel. Early excerpts will include works from the standard bearers of independent publishing, including Coffee House, Two Dollar Radio, and Unbridled Books. The Collagist will also publish several new book reviews in every issue. The Collagist is immediately open for […]
I go to a lot of readings. It’s a rare week when I don’t attend at least one or two. And while I’d say I enjoy them in the abstract, I have to admit that too often, even when I love the writer, I wind up kind of bored or restless: I think about my own writing, or I agonize over that leaning tower of laundry back home, an unfinished freelance project, the friend whose novel draft I *still* haven’t finished reading, whether my water bottle is slowly emptying into my sad, overstuffed purse… Not so with the One-Story reading […]
Hey, fiction writers! What are you doing on Saturday, November 15th? If you spend the day writing, you can help raise money for Dzanc, a unique non-profit independent press established (in their own words) “to not only publish great books, but to work nationally in set communities to provide writing workshops and year round programs for students and adults alike.” Read more about the Dzanc Writer in Residency Programs (DWIRPS) and The Dzanc Prize, two of many ways this press connects writing and publishing with community service and educational outreach. Want to read more about the event itself? Go here. […]
Anton Chekhov is a C-9A Nightingale. Cormac McCarthy is a Focke-Wulf Butcher-Bird with cowboy boot decals. Lorrie Moore is a B-2 Spirit stealth bomber. Fun, right?
