From the Archives: Here, triangulated between the grit and hardship of necessity, the loneliness of nature and a reverence for it, and the migrations of good and decent hearts—or, at least, hearts that strive in clumsy, sometimes self-defeating ways to be so—through a world that feels cold or, worse, actively hostile to their concerns, Bonnie Jo Campbell has located and renewed the rural ache.
From the Archives: In a Strange Room chronicles Damon’s travels as he journeys from Greece, to various countries in Africa, to India. Traveling, in general, disorients. We are displaced from our normal locations, we are observing places that are not our own, and our minds constantly compare the new, foreign place with the familiar one.
From the Archives: After waiting impatiently for Daniel Orozco’s debut story collection, J.T. Bushnell finds that it exceeds all expectations. Bushnell calls these stories “full of satire and absurdity and insight.”
“History, personal or collective, weighs on everyone in these stories, sculpting their inner lives. And yet, Tabucchi suggests, an unlikely transcendence is possible.”
Diane Cook’s Man V. Nature is a “masterful blend of surrealism, fabulist storytelling, and good-old-fashioned apocalyptic fiction.”
“Accept the slightly soft focus and it becomes part of the charm of Gaynor’s particular book”: Ellen Prentiss Campbell on the pleasures of reading Hazel Gaynor’s historical novel A Memory of Violets.
“These spare pages please and engage the eye, heart, and mind, like leaves in a chapbook. Liliane’s Balcony is a small elegant book in every way. Readers will be inspired to visit Fallingwater and listen for Liliane’s voice above the falls.”
“These spare pages please and engage the eye, heart, and mind, like leaves in a chapbook. Liliane’s Balcony is a small elegant book in every way. Readers will be inspired to visit Fallingwater and listen for Liliane’s voice above the falls.”
“There are people who talk about themselves in the first person, people who talk about themselves in the third person, and people who don’t talk about themselves at all,” says a character in A Meaning for Wife. Yet poet Mark Yakich’s debut novel is narrated–quite successfully–in the controversial second-person.
Our latest Journal of the Week, The Georgia Review, has been committed to storytelling since its founding in 1947. Heading toward its 258th issue, the journal’s careful curating of stories, essays, poetry, reviews and art has helped it survive the test of time—and flourish.
