Suspend Your Disbelief

Posts Tagged ‘Review’

Reviews |

The Quickening, by Michelle Hoover

Every work of fiction is grown from at least one seed of truth, whether it’s an emotional truth, an actual event, or a fact of nature. For Michelle Hoover, author of the elegant debut novel The Quickening, this seed was a fifteen-page document that her great-grandmother typed out in the final year of her life. In it, “broken hearted and sick in mind and body,” she recounted her seven decades as an Iowa farmwoman. Loosely based on this document and family oral histories, The Quickening follows the journeys of two Iowan families trying to build their lives amid the hardships of the Great Depression.


Reviews |

Sarah/Sara, by Jacob Paul

Jacob Paul’s debut, Sarah/Sara, is not a joyful read, but it is a deeply moving one. The novel unfolds as the journal of Sarah Frankel, an American-born Jew who, shortly after finishing college, moved to Israel, where she took the Hebrew version of her name (“Sara,” pronounced Sah-rah) and became far more ritually observant than she was raised to be. After her visiting parents are killed in a suicide bombing in the café below her Jerusalem apartment, Sara embarks on a six-week, solo kayaking trip through the Arctic. Throughout the beautiful yet dangerous trek, Sarah’s thoughts turn not only to her past—memories—but also to an imagined future, one that challenges her faith.


Reviews |

The Iron Will of Shoeshine Cats, by Hesh Kestin

by Michael Rudin

Prior to writing his novel The Iron Will of Shoeshine Cats, Hesh Kestin mastered all things non-fiction, serving as European bureau chief of Forbes and war reporter for Newsday before founding two newspapers himself—the Israeli daily The Nation, as well as the prize-winning expatriate, The American. A career crafting leads and managing word counts has shaped Kestin’s fiction in a distinct way: though written richly, it never wastes a cent.


Reviews |

Best European Fiction 2010 (Aleksandar Hemon, ed.)

What is it about the European cultures, tucked like bats into their tiny cubbies, that seems so much more specific than our own? How do Belgium or Luxembourg achieve “culture” in little more space we might use to construct a Wal-Mart megastore? What is it about confinement that breeds a more tribal than national identity? What are we doing when we sit down to read a collection of fiction culled from a continent?


Reviews |

What the World Will Look Like When All the Water Leaves Us, by Laura van den Berg

“I imagine the seasonally unspecified stories in Laura van den Berg’s What the World Will Look Like When All the Water Leaves Us must be set in spring because spring is a time that makes me feel young, young as girls and in as much danger. And then there’s always this odd moment of realization that I am young and a girl and in some dangers. I’m still in too-close contact with boys I once loved, still prone to crying in public, still not aware of the dynamic personal lives of adults. Spring in the Midwest is about babies and hope and vitality, but it’s also about knowing that eventually a late frost is going to swing in out of no place and kill everything you haven’t collected in the shed. And I wanted the people in these stories locked up safe.”


Reviews |

Tunneling to the Center of the Earth, by Kevin Wilson

If Tunneling to the Center of the Earth (HarperPerennial, 2009) were a child, it would be the kind who held your hand until you reached the road and then insisted—slapping at your grasping fingers without taking his eyes off the road—on crossing the street without help. If Kevin Wilson’s debut collection were a car, it would be the kind of bubble-topped, shark-finned future-car that you see on footage of old World’s Fairs, but you would see it out in the world, cruising the miracle mile. If this book were a friend, it would be the kind who goes with you […]


Reviews |

Swimming with Strangers, by Kirsten Sundberg Lunstrum

The stories in Kirsten Lunstrum’s new collection, Swimming with Strangers, are smart, harrowing, dramatic, and quite often surprising. In one, the narrator describes the story of her own birth; in another, as the characters discuss fairy tales—one of the characters forces his students to read the Brothers Grimm in their brutal, original forms—the roles of witch and distressed damsel switch back and forth. While we could easily imagine stories like these in which thematic elements take over, Lunstrum keeps them at a low burble, focusing on the reality of these characters’ struggles. It is a very brave choice.


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Stealing Pleasure: Megan Whalen Turner's The Queen's Thief Series

I’ve come a bit late (only 14 years or so) to the wonder that is Megan Whalen Turner, author of the young adult fantasy series The Queen’s Thief. Of all the books I’ve read in recent memory, not many compare to this series, which is serial narrative of the best kind—the kind that gets richer and more complex as it develops. Before this month, there were three novels: The Thief, The Queen of Attolia, and The King of Attolia. A fourth, A Conspiracy of Kings, has just been released. I can’t wait to read it.


Reviews |

Long for This World, by Sonya Chung

by Celeste Ng

The cover of Sonya Chung’s debut novel, Long for This World (Scribner, March 2010), shows a young woman gazing out over a wide ocean, raising a camera to her eye. Chung’s main character is a photographer, but that’s not the only reason this cover is so apt. The novel unfolds like a collection of intimate snapshots, telling a story of loss and unexpected renewal.




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