“Driscoll is the master of capturing a delicate humanity where most people might be least likely to look”: Natalie Bakopoulos on Jack Driscoll’s The Goat Fish and the Lover’s Knot, out this spring from Wayne State University Press.
“Whenever I have 20–30 minutes free, I’m writing”: Keith Lesmeister chats with Barrett Bowlin about his debut collection, We Could’ve Been Happy Here, out this month from Midwestern Gothic Press.
“The collection, I hope, challenges assumptions about Southeast Michigan, and the people who live here”: Laura Hulthen Thomas chats with Ian Singleton about her debut collection, States of Motion, out today from Wayne State University Press.
From the Archives: “Grace Paley shows us one way in which the heretofore old-fashioned, third-person omniscient perspective might be one of contemporary fiction writers’ greatest tools to elicit empathy for characters.”
“I am much more interested in the people who are not forever trying to be known”: N. West Moss with David Ebenbach, discussing their new books The Subway Stops at Bryant Park and The Guy We Didn’t Invite to the Orgy and other stories.
“Boy, I hope I’m wrong”: Alexander Weinstein talks with Nina Buckless about consumer culture, virtual reality, and his dystopian debut collection of stories, Children of the New World.
From the Archives: “One frustration of writing a single essay about David Jauss’s craft essays and short stories is that every one is worthy of its own in-depth examination.”
“The narrator’s voice is earnest and haunted”: Joshua Bodwell on why he loves Andrew Porter’s “River Dog.”
“The inner landscape is something fiction can do far better than any other narrative art”: Tim Weed with Art Hutchinson on travel, reality, and his new collection, A Field Guide to Murder and Fly Fishing.
Join us for our ninth-annual celebration of the Short Story, as we dedicate the month of May to short fiction.
