FWR at AWP
by The Editors
A highlight of 2018 AWP Conference panels and events featuring our recent contributors.
A highlight of 2018 AWP Conference panels and events featuring our recent contributors.
“The inner landscape is something fiction can do far better than any other narrative art”: Tim Weed with Art Hutchinson on travel, reality, and his new collection, A Field Guide to Murder and Fly Fishing.
Author Tim Weed discusses how fiction as a medium differs from other narrative arts like film and television.
“Here’s the thing about writing historical fiction: you’re not trying to reconstruct or mimic history, which would be altogether boring even if it weren’t impossible. What you’re trying to do is to create a new version of it that will tell a good story while simultaneously capturing something essential, not only about the period, but also about contemporary life.”
“I write about these environments for the same reason I’ve put myself in them so many times. It’s a heightened experience. Things are unfamiliar and exciting and you get to redefine yourself, if only briefly.”
Surprising Things Can Happen: An Interview with Kristen Roupenian
Part of a Bigger Conversation: An Interview with Rebecca Makkai
If You See Me, Don’t Say Hi: An Interview with Neel Patel
Sometimes Taking Things Out Counts as Writing: an Interview with Celeste Ng
Influences: An Interview with Tobias Wolff
Stories We Love: “Blue Lenses,” by Daphne Du Maurier
Stories We Love: “White Angel,” by Michael Cunningham
Stories We Love: Donald Barthelme’s “The School,” In Which is Revealed the Meaning of Life
Stories We Love: "A Small, Good Thing" by Raymond Carver
Stories We Love: "The Fall River Axe Murders," by Angela Carter
