Suspend Your Disbelief

Posts Tagged ‘teaching’

Shop Talk |

Mentors, Muses, and Monsters event at Greenlight Books

by Anne Stameshkin

NYC-based writers, head to Brooklyn’s newest bookstore, Fort Greene’s Greenlight Books (686 Fulton St., at S. Portland), tonight (Monday, November 23) at 7:30 PM for a special event featuring local authors and the editor of Mentors, Muses, and Monsters, a book that we at FWR are excited to read. This is also the bookstore’s first installment of what promises to be an exciting series of events featuring both authors and lit bloggers. On a personal note, I’m thrilled at Greenlight’s birth, if a bit heartsick that I had to leave Fort Greene about a month before it opened; when I […]


Shop Talk |

More on Literary Influences

by Celeste Ng

If you liked Alexander Chee’s essay on studying with Annie Dillard, rejoice. There’s more where that came from. Chee’s piece is part of the just-published anthology Mentors, Muses and Monsters: 30 Writers on the People Who Changed Their Lives, edited by Elizabeth Benedict (Simon & Schuster, Oct. 2009). I love hearing about how writers interact with other writers and what lessons–positive or negative–they gleaned from their teachers, so I can’t wait to read this. Here are some additional sneak peeks: “The Scholars and the Pornographer”: Carolyn See on her father, who turned to writing pornography at the age of 70, […]


Interviews |

Those Magic Carbons: A Conversation with Eileen Pollack

Brian Short talks to fiction guru Eileen Pollack about the juggling act of writing fiction, teaching writing, and directing the Creative Writing MFA program at the University of Michigan. Her advice to writers: Be bold.

“The first thing I love, when I read, is the language. I can’t read anything where I don’t like the voice. What else do I like? I like plot, I like setting, I like humor, I like boldness. I think part of it has to do with being female. No one ever told Philip Roth to be more timid or nice, to have nicer characters or less sex, to not be as broad. And when a woman tests boundaries, it’s seen as unbecoming. We’re supposed to write these quiet, domestic stories or novels. I’ve just never been one to do that.”


Reviews |

The Rose Metal Press Field Guide To Writing Flash Fiction: Tips from Editors, Teachers, and Writers in the Field, edited by Tara L. Masih

As a creative writing professor at Boston College, I frequently use collections of flash fiction, stories which usually run 1000 words or less. Given time limitations and the varying writing experience of my students, these versatile, word-limited pieces are a very approachable and satisfying form to work within. However, I always find myself floundering about when I try to explain and define this genre for the first time. It was therefore with keen interest that I picked up The Rose Metal Press Field Guide to Writing Flash Fiction, an unprecedented gathering of 25 brief essays by experts in the field that includes a lively, comprehensive history of the hybrid genre by editor Tara L. Masih.


Shop Talk |

The Program Era: future FWR discussion?

by Anne Stameshkin

After a hermitish week and weekend of work, I finally had the chance to sit down with my New Yorker this morning and read Louis Menand’s essayistic review of Mark McGurl’s The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard UP, Apr. 2009). It inspired me to order a copy of the book, which I think might be a great one to discuss via a group review on FWR. Who would be interested in joining this group review, which we’d aim to do in early August? Celeste, I know you’re in (and thanks to both you and […]


Essays |

Deconstructing a Good Cry

I’m a college writing teacher. Creative writing, to be exact. And yes, sometimes it seems as if paper goods companies ought to be lining up with the textbook publishers to wine and dine us at our conferences–or at least paying for our tote bags. Because while there may be no crying in baseball, the writing classroom is a different story.


Essays |

AWP: Hope Takes Flight in the Basement of the Hilton

by Sarah Van Arsdale

At first, I didn’t care too much about the economic troubles of Wall Streeters, or people living off their investments, or people with things called “401ks.” Let them give up their limos and learn how to take the bus; let them eat at the table next to me at Ali Baba’s Kebab House. But then the publishing world followed. Has the prospect of getting a literary novel published plunged from very unlikely to totally unlikely to absolutely-forget-about-it-impossible with each drop of the Dow Jones average? Or is there hope?




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