From the Archives: “If I came into writing feeling largely without history or place, writing became a means of discovering both; it also became, as it did for George Willard, a means of discovering a way out, the road ahead. Sherwood Anderson gave me a map.”
From the Archives: Jennifer Solheim reveals how language structure impacts emotional resonance in the narrative—and for the reader.
From the Archives: The debut novelist talks to Zachary Watterson about writing religions, communities, and landscapes not his own, all with complexity and compassion.
Barrett Bowlin sits down with Jennifer Pashley over cocktails just before her tour to promote the release of The Scamp, talking with her about this new book, her literary and musical influences, true crime sagas, and, inevitably, dead bodies.
We live on the edge of a continent. Our world teeters between land and sea, washed in whimsical coastal weather. Here, cusp is truth. Liminal is how things are, and the World is a story we make up. And tear down. And make up again.
Cristina García talks about her newest novel, King of Cuba, “total Fidel Castro immersion,” the centrality of poetry to her life and work, and how her scholarly and journalistic background has helped her writing.
Christopher Hitchens died on December 15th of 2011. In honor of the year anniversary of Hitchens’s passing, Nick Papandreou remembers his long-time friend and fellow writer.
Author of the debut novel, We Sinners, Hanna Pylväinen talks about fiction’s relationship to truth, moving past doubt in her work, and how writing a sincere moment of religious experience is even trickier than writing a sex scene.
Recently, the New York Times tackled the burning question of why authors tweet. One main reason? To connect with the reader, of course: For one thing, publishers are pushing authors to hobnob with readers on Twitter and Facebook in the hope they will sell more copies. But there’s another reason: Many authors have little use for the pretension of hermetic distance and never accepted a historically specific idea of what it means to be a writer. […] Jennifer Gilmore (3,463 followers) finds hearing from readers helps her understand the influence her novels have on them: “On Twitter, I have a […]
“To love and to express it is to be vulnerable. To create works of art is to be vulnerable, and it’s hard for people to let themselves be vulnerable. Especially in this world, where the internet lets us democratically savage one another, it’s even scarier, but the courage to be an artist means also the courage to love and to express it.” So says Robert Olen Butler in this candid interview with Emily Alford.
