Melissa Scholes Young was born and raised in Hannibal, Missouri. She is the author of the novels Flood (2017) and The Hive (2021), and the chapbooks Guinea Pig and Scrap Metal Baby. She’s a Contributing Editor for Fiction Writers Review and Editor of two volumes of D.C. Women Writers: Grace in Darkness (2018) and Furious Gravity (2020). Her work has appeared in the Atlantic, Washington Post, Ploughshares, Narrative,
“I believe difficulty and loss of control forge us into our truer, fuller selves, and I hoped to bring each of these characters to that real-ness”: Sonya Chung talks with Melissa Scholes Young about her new novel, The Loved Ones.
“Is unlikeable also unsympathetic? I don’t think so”: Paula Whyman chats with Melissa Scholes Young about her debut collection, You May See a Stranger.
Leslie Pietrzyk talks with Melissa Scholes Young about story contests, writing grief, mothers & daughters, storytelling, and more.
Melissa Scholes Young sits down with Jennine Capó Crucet again, this time to discuss the author’s debut novel, as well as the role humor plays in fiction, finding your material, and being asked the “Where Are You From From?” question.
“I knew I wanted the book to have one foot in the past and one in the present. It was the only way to really explore the themes that interested me, namely how much impact does the past have upon our present? “
“These are your people, like it or not, Kaufman tell us; you might as well love them anyway.”
“Be careful what you invent, darling”: Mary Kay Zuravleff talks to Melissa Scholes Young about her latest novel, Man Alive!
“For me, the perspective shift is one of the great powers and pleasures of writing fiction,” says Katherine Hill in conversation with Melissa Scholes Young. “Not that I’d be bored with one perspective—well, all right, I might be bored—but I think I’m just incredibly interested in people’s reactions to each other, both conscious and unconscious.”
Friendship unraveling around exposed ambition: Jacinda Townsend talks with Melissa Scholes Young about competition, solidarity, and the constraints of the wider world.
I don’t read post-apocalyptic fiction, but I will read about anything by Lane Kareska. Lane and I were MFA students together at Southern Illinois University in Carbondale. Over our three years in the program, Lane and I met almost weekly outside of class to workshop our own work. We supported each other as our literary voices emerged. But when he told me that he was publishing North Dark (Sirens Call Publications, 2013), a novella, set in sparse futuristic failed state, I all but rolled my eyes. It’s not that I don’t see value in science fiction or the end of […]
