Suspend Your Disbelief

Posts Tagged ‘Carolyn Gan’

Interviews |

The Nuance of Noir: An Interview with Edwidge Danticat

From the Archives: Renowned for her stirring and insightful stories about Haitian life, Edwidge Danticat recently turned her eye to genre as the editor of Haiti Noir, part of Akashic Books’ noir series. The book was published in December, following the 2010 earthquake in Haiti. Danticat discusses the disaster’s impact on the book and the way that noir captures some of the mystery, darkness and complexity of her homeland.


Shop Talk |

Stories We Love: "A Change of Fashion"

Yesterday, I saw a woman wearing a garment that straddled the line between shorts and panties. Her outfit was revealing, and it made me ask questions like, “how far will fashion go?” and “what was she thinking?” Perhaps author Steven Millhauser had a similar experience at some point, and that led him to write “A Change of Fashion,” a short story that originally appeared in Harper’s Magazine, May 2006. What would happen if next season’s fashions did not favor a slightly shorter hemline or a higher heel, but hiddenness? What if dresses took on shapes larger than Victorian hoop skirts […]


Shop Talk |

Journal-of-the-Week Winners: Lapham's Quarterly

Last week we featured Lapham’s Quarterly as our Journal-of-the-Week, and we’re pleased to announce the winners: William Walsh (@Questionstruck) tfullard (@tfullard) Ms. Understood (@MartyChev) Congrats! To claim your free issue, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us! Thanks to all of you who are fans. We appreciate your support. Let us know your favorite new books and journals out there! Correction: An earlier version of this post misstated the prizes as subscriptions, not issues.  We apologize for the error!


Reviews |

Journal of the Week: Lapham's Quarterly

Our latest Journal of the Week, Lapham’s Quarterly, is a true curator of culture. By juxtaposing the old and the new, Carolyn Gan says in this profile, it’s the “literary equivalent of a really good mix tape, where obscure songs of various styles come together to tell you something more about the music.”