Stories We Love: “Thawing Out,” by T.C. Boyle
“It’s the story of a self-centered young man who glimpses the future and finds it covered in flab.” Chuck Augello on T.C. Boyle’s “Thawing Out.”
“It’s the story of a self-centered young man who glimpses the future and finds it covered in flab.” Chuck Augello on T.C. Boyle’s “Thawing Out.”
“This sounds like a lot. And it is. But van den Berg presents it all with remarkable economy.” Elizabeth Mayer on Laura van den Berg’s “Hill of Hell.” Look for van den Berg’s new collection, I Hold a Wolf by the Ears, from FSG in July.
“And though all the violence is ultimately, like most violence, senseless, it is not impossible to understand”: Leigh Camacho Rourks on Tom Franklin’s “Poachers.”
“What exactly did Carver do to make his character’s isolation so palpable that I felt it physically?” Amber Wheeler Bacon on Raymond Carver’s deeply affecting “Are You a Doctor?”
“I wondered if this was going to be too on the nose, if the students would feel provoked or become defensive.” George McCormick on teaching George Saunders’s “Home” in an Army town.
“What is the end of the world to us? Is it the end of a marriage? The end of our families as we know them? Is it the splintering of a relationship with a loved one? Or is it the literal Rapture?”
“I love ‘The Great Silence’ because it is the odd bird out, or, to double down and use another cliché, the canary in the literary coal mine of the collection that warns us that we might all be doomed if we don’t listen.”
“What I love is the defamiliarization.” Kent Kosack appreciates the aesthetic openness of Catherine Lacey’s short story “The Healing Center.”
“That moment when we realize our parents are people, regular people, with flaws and separate lives we have no access to. Brought home, made palpable for the reader, in that little clattering spoon”: Kent Kosack on Lucia Berlin’s coming-of-age story “Itinerary.”
“Soon matters take an even darker turn.” Jacob M. Appel on Shirley Jackson’s most unsettling short story.
