Suspend Your Disbelief

Archive for 2009

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More on Literary Influences

by Celeste Ng

If you liked Alexander Chee’s essay on studying with Annie Dillard, rejoice. There’s more where that came from. Chee’s piece is part of the just-published anthology Mentors, Muses and Monsters: 30 Writers on the People Who Changed Their Lives, edited by Elizabeth Benedict (Simon & Schuster, Oct. 2009). I love hearing about how writers interact with other writers and what lessons–positive or negative–they gleaned from their teachers, so I can’t wait to read this. Here are some additional sneak peeks: “The Scholars and the Pornographer”: Carolyn See on her father, who turned to writing pornography at the age of 70, […]


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NaNoWriMo Grab Bag: Robot Assistants and More

by Celeste Ng

As Gwen announced last week, it’s NaNoWriMo (National Novel Writing Month), the annual challenge to write a 175-page (50,000 word) novel during the month of November. How many of you are taking part? We have at least one FWR editor and one contributor on the scene, and so far they’re keeping up with the wordcounts. You’re 1/10 of the way through your novel by now, right? Right? Here’s some extra motivation. NaNoWriMo’s profile has risen from Crazy Thing 21 People Did in 1999 to Mass Writing Event in 2008. Last year, NaNoWriMo reported over 120,000 participants, 20,000 of whom finished […]


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Jim Shepard on Using History in Fiction

by Celeste Ng

Over at The Outlet, Jim Shepard has a great essay on working with historical events in fiction: Writers shouldn’t lose sight of the essential chutzpah involved in trying to imagine any other kind of sensibility. And that they should take heart from that chutzpah, as well. The whole project of literature – the entire project of the arts — is about the exercise of the empathetic imagination. Why were we given something as amazing as imagination, if we’re not going to use it? Shepard is a master at inhabiting and re-imagining historical events in his stories. One of my all-time […]


Essays |

My Kindle, Myself

It was cold and white and looked not unlike a refrigerator for guinea pigs. It had far too many buttons. It stalled for an annoying millisecond when flipping between pages. There was no way I would ever be able to suspend my disbelief and fully enter the world of a book.

And then, somewhere over Georgia, I changed my mind.


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Andrew's Book Club: November Picks

by Anne Stameshkin

As a huge fan of Munro and Dzanc, I’m especially excited about Andrew’s picks for this month. (This is what the world will look like when there is too much happiness!) – Indie Pick: Laura van den Berg’s debut, What the World Will Look Like When All the Water Leaves Us (Dzanc) / description (via ABC): A failed actress takes a job as a Bigfoot impersonator. A botanist seeking a rare flower crosses paths with a group of men hunting the Loch Ness Monster. A disillusioned missionary in Africa grapples with grief and a growing obsession with a creature rumored […]


Reviews |

God's Dogs, by Mitch Wieland

by Tyler McMahon

In an age of books built from blogs, tweets, and text messages, God’s Dogs, Mitch Wieland’s new novel-in-stories, feels as though it were made of wood. It is regional, elemental, and bears the marks of its maker: the careful grooves of his chisel, the smooth surfaces from the author’s finest sandpaper, even rough-hewn gouges by what might have been teeth or fingernails.


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scary, scarier, scariest

by Anne Stameshkin

Happy Halloween! If you’re looking for creepy literature or inspiration on All Hallow’s Eve, here are some recommendations (and warnings): – The Baltimore Museum of Art is currently featuring an exhibit of paintings — some by renowned artists like Gauguin and Matisse — inspired by Edgar Allan Poe’s stories. This is only one event in Nevermore, Baltimore’s year-long celebration of Poe throughout 2009 (in January, Poe would have turned 200). Tonight at the Strand Theatre (1823 N. Charles Street), see David Keltz read/perform as Poe, and afterwards, grab a pint at the Annabel Lee Tavern. For a full list of […]


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Does the brain like e-books?

by Celeste Ng

The rise of the Kindle, and the recent advent of competitor e-readers the QUE, the Nook, and the Alex, have sparked much discussion about the future of paper books, publishing, and the universe. But there’s been little discussion about whether e-books are really a good substitute for, you know, book books. The New York Times‘s “Room for Debate” column asked several experts to weigh in: Is there a difference in the way the brain takes in or absorbs information when it is presented electronically versus on paper? Does the reading experience change, from retention to comprehension, depending on the medium? […]


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Whiting Writers' Awards

by Anne Stameshkin

Warm congratulations to 2009’s Whiting Award winners for poetry, fiction, and plays! These are the winners in fiction (click here for a full list of recipients): – Adam Johnson: Emporium (Viking 2002), Parasites Like Us (Viking, 2003) – Nami Mun: Miles from Nowhere (Riverhead 2009) – Salvatore Scibona: The End (Graywolf 2008) – Vu Tran: as-yet-untitled first novel is forthcoming (W.W. Norton) In addition to the honor of receiving such a prestigious award, and the chance to be introduced by keynote speaker Margaret Atwood, these writers also received a substantial monetary prize: at $50,000, the Whiting is one of the […]


Essays |

Magic and Music Steer this Vessel: On Jorge Luis Borges’s This Craft of Verse

by John Madera

In This Craft of Verse, Jorge Luis Borges’s collected Norton Lectures, Borges diverges–with sparkling erudition–from conventional forms, offering lectures that are not arguments, but gentle provocations. Remarkably, these visionary pieces were composed at a time when Borges was nearly blind. By this time, as editor Calin-Andrei Mihailescu writes in the book’s postscript, Borges could see “nothing more than an amorphous field of yellow.” We quickly learn, however, that his mind’s eye was as sharp and discerning as ever.




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