Suspend Your Disbelief

Anne Stameshkin

Founding Editor

Anne Stameshkin lives in Brooklyn. Her fiction has been published in the Chattahoochee Review andNimrod, and her book reviews have appeared inEnfuse magazine. Anne holds an MFA (fiction) from the University of Michigan. She pays the bills as a freelance editor, writer, and writing teacher, most recently at Connecticut College. While in-house at McGraw-Hill, Anne edited a number of literature and composition texts and two craft books—Tell It Slant: Writing and Shaping Creative Nonfiction by Brenda Miller and Suzanne Paola and The Sincerest Form: Writing Fiction by Imitation by Nicholas Delbanco, among other projects. She is currently at work on a novel. Some recently published collections she recommends include If I Loved You, I Would Tell You This by Robin Black, The Theory of Light and Matter by Andrew Porter, and Boys and Girls Like You and Me by Aryn Kyle.


Articles

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Recently on FWR…

In case you’ve missed them, these are the features Fiction Writers Review has been lucky to publish in the last month: In an adaptation of his AWP panel talk, Jeremiah Chamberlin discusses “talking shop” in the age of new media: [O]nline journals like Fiction Writers Review provide a unique place for emerging writers to join the conversation. After all, few print journals accept book reviews from individuals who haven’t yet published a book themselves. And even if they do, they rarely take unsolicited work. So how does an emerging writer enter this critical dialogue? Here they can. Special guest Peter […]


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Win a copy of If I Loved You, I Would Tell You This, by Robin Black

Before I recommend or send any book to one of FWR’s reviewers, I always read a sample story or two, a chapter, or maybe the first fifteen pages. If I fall in love, I order a copy of the book for myself. But sometimes there’s a novel or collection that demands to be read immediately. If I Loved You, I Would Tell You This (Random House, April 2010) made me forget I had a job, a website, friends, a boyfriend waiting for me to pick him up, dinner burning on the stove. And even after finishing this book (and sending […]


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Short Story Month 2010: The Collection Giveaway Project

Inspired by the Emerging Writers Network—who dubbed May as Short Story Month again this year–and the Poetry Book Giveaway for National Poetry Month, Fiction Writers Review is excited to propose a community effort by lit bloggers to raise attention for short story collections: Short Story Month 2010: The Collection Giveaway Project. Warm thanks to Erika Dreifus (The Practicing Writer), who suggested FWR as a home for this project, and who will be joining the cause. To participate in Short Story Month 2010: The Giveaway Project: (1) This month, post an entry on your blog recommending a recently published short story […]


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Because it's National Poetry Month…

All across the blogosphere, writers have been celebrating April 2010 by discussing poems and sharing recommendations, including work of their own. – At Powell’s Blog, Jae suggests three collections (including Alphabet by Inger Christensen), observing: The poetry section of a bookstore can present potential challenges for any reader. More often than not, poetry books are precociously slim, slipping past first glance; it’s far easier to quickly name 10 famous living novelists than 10 famous living poets; and even when you know exactly what you’re looking for, small print runs may have rendered the book unavailable. Despite these occasional pitfalls, people […]


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Andrew's Book Club: April 2010 Picks

There’s still a week left in April: spend it reading one of these new collections recommended by Andrew Scott. INDIE PICKS: – Strange Weather (Press 53), by Becky Hagenston. Winner of the Spokane Prize for Short Fiction. Praise from Antonya Nelson: The sensibility overseeing these fine stories is curious, clever, quick, hilarious, and heartbreaking. The world contained between the covers of Strange Weather is both realistic and magical, silly and sublime, ‘romance and raunch. Just like real life.’ When a character working a desk job in a toxic chemical plant announces wistfully that ‘nothing’s blown up,’ the reader completely understands […]


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FWR's Latest Features: The Biweekly Roundup

Here’s a recap of the reviews, interviews, and essays you may have missed on Fiction Writers Review lately. Charlotte Boulay reviews The Queen’s Thief series by Megan Whalen Turner, calling it “serial narrative of the best kind—the kind that gets richer and more complex as it develops” and adding, “Even among YA fantasy novels, The Thief is exceptional because it’s a story about adults. These are not the sudden inheritors of magical powers, but people who have carried the weight of responsibility for their entire lives.” Brian Short reviews Swimming with Strangers, the second collection by Kirsten Sundberg Lunstrum. “Lunstrum […]


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P&W's Inside Indie Bookstores: Women & Children First

In the newest installment of Poets & Writers magazine’s Inside Indie Bookstores series, FWR Associate Editor Jeremiah Chamberlin profiles Chicago’s fabulous Women & Children First bookstore, featuring an interview with the bookstore’s co-owner Linda Bubon. The online version (along with a slideshow of images from the store) is available at no cost on P&W‘s website…but if you want a print copy, Poets & Writers‘ special offer to Fiction Writers Review readers (only $12 for a year-long subscription) is still up for grabs; if you order through this page before May 15, you’ll get the current issue featuring Women & Children […]


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Should You Get an MFA in Creative Writing?

Are you currently weighing the benefits of an MFA? If you heard Michael Chabon’s take on MFA programs in his amazing AWP keynote, you’re probably hitchhiking to UC Irvine, a typewriter strapped to your heart — but even so, you might be wrestling with important questions like these: Will an advanced degree help you with your particular goals as a writer — and if so, when is the right time to go? How important is full or partial funding? What about opportunities to teach or work on a journal? What are program directors and committees looking for in MFA students, […]


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SHAY-bahn, not cha-BONE

When you have a last name like Stameshkin, it’s rare–and lovely–to hear someone say it correctly. And I imagine that if even if you’re a world-famous author like Michael Chabon (see the subject line), Jonathan Lethem (that’s LEETH-um) or Chimamada Ngozi Adichie (en-GO-zeh ad-DEE-chay), it’s frustrating to hear thousands of fans and critics say they love…someone else. To avoid crimes of mispronunciation, study this guide to pronouncing authors’ names (via Buzzfeed via Dieselbookstore via The Panorama Book Review): it’s a great resource if you’re introducing, teaching, or even just talking about one of these writers. (Thanks to Tori and Todd […]