Suspend Your Disbelief

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The Lovely Bones trailer

by Celeste Ng

Paramount has just revealed the trailer for the film adaptation of Alice Sebold’s The Lovely Bones. The film, directed by Peter Jackson, stars Mark Wahlberg, Susan Sarandon, Rachel Weisz, and Saoirse Ronan (Briony in the movie version Atonement, and no stranger to literary adaptations). I had a hard time imagining how this book would be made into a movie, and the trailer reminded me–strangely enough–of the Harry Potter films: a human world and a magical world running in parallel; fantastical CGI effects, like a giant rose blooming underwater; scary woods, and the hunt for a Very Bad Man. Meanwhile, the […]


Shop Talk |

the used book wars

by Celeste Ng

An agent once told me that if I wanted to support my fellow writers, I should never buy used books, because the author gets no royalties on re-sold copies. And while that is certainly true, this editorial in the Guardian makes an eloquent argument for why secondhand bookshops are important: [T]he best have stock that is old – an out-of-print Penguin on Imagist poets, or a Fontana reader bringing news (at least it would have been in 1981) from the sociological front – and temptingly affordable. They contain treasure, however dusty. Several commenters point out that this editorial makes no […]


Reviews |

I Do Not Come to You By Chance, by Adaobi Tricia Nwaubani

by Neelanjana Banerjee

I had to go four or five pages into my junk email folder to find one. It was from a Dr. Obadiah Maliafia of the Central Bank of Nigeria. The email says that my $10.7 million in overdue inheritance funds: “HAS BEEN GAZZETED TO BE RELEASED TO YOU VIA THE FOREIGN REMMITANCE DEPARTMENT OF OUR BANK.”

After reading Adaobi Tricia Nwaubani’s debut novel I Do Not Come to You By Chance (Hyperion, May 2009), the missive from Dr. Maliafia read like a finely tuned piece of art: the formal language, the capital letters, the amount of money – a perfect example of the 419 email scam.


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Infinite Summer with DFW

by Anne Stameshkin

Slate reports on Infintesummer.org, a reading-group/support group combo for those grieving David Foster Wallace‘s death and those wanting to tackle his masterwork. The challenge: Join endurance bibliophiles from around the world in reading Infinite Jest over the summer of 2009, June 21st to September 22nd. A thousand pages1 ÷ 92 days = 75 pages a week. No sweat. 1. Plus endnotesa. a. A lot of them. Posts range from in-depth analysis of Wallace’s themes to close readings of favorite passages to humorous accounts of how people react when they see you toting around this giant book. (Really!) If you want […]


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On an optimistic note…

by Celeste Ng

There’s plenty for writers to worry about these days: the future of literary fiction, the collapsing publishing industry, the economy in general. So here’s a much-needed note of optimism. On the Penguin Blog, Darin Strauss (author of Chang and Eng and More Than It Hurts You) reminds us about the joys of being a writer. These are, as the whole world knows, tough days for literary fiction. And it’s never been the easiest career, even in boom times. Rejection. Financial uncertainty. Mean or dense critics. Good publishers that nevertheless have, at the end of each quarter, to answer to corporate […]


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admissions

by Celeste Ng

Erika Dreifus at the Practicing Writer posted about this recently, and it was too interesting not to discuss here. Admission to college is getting tougher ever year, and as the New York Times reported, highschoolers hoping for an edge can now seek help from independent college counselors. But what about applicants to MFA programs? Well, now there’s help for them too: Abraham Leslie Consulting, which bills itself as “the first-ever consulting firm designed exclusively for applicants to Master of Arts (M.A.), Master of Fine Arts (M.F.A.), and doctorate (Ph.D) in Creative Writing Programs.” The consultants, all of whom are recent […]


Reviews |

The Song is You, by Arthur Phillips

by Katie Umans

The Song is You, by Arthur Phillips, is a book about music and love – the grand, sweeping stuff. So you might be surprised at how controlled the writing is. Not that I was expecting the book to play a cloying tune when I opened it, like one of those oversized Hallmark cards, but I did somehow expect it to be more… well, musical. The 2006 movie Once is an example – one I thought of often while reading this – of how music can surge viscerally through a love story and vice versa, though of course a film has certain advantages in evoking song that a book does not.


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Andrew's Book Club: August Picks and New Feature

by Anne Stameshkin

This month, Andrew recommends Victoria Patterson’s debut collection of linked stories, Drift, as his big-house pick. Read more about it here; you can read one of the collection’s stories, “The First and Second Time,” on the Freight Stories website. For August, Andrew also introduces a new feature, ABC Rewind, which he describes as “spotlight[ing] story collections that may have been slightly overlooked when they were originally published, as well as story collections that are reissued after falling out of print.” The first ABC Rewind pick is Don’t Make Me Stop Now by Michael Parker, the author of several novels, most […]


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is short the new black?

by Celeste Ng

Flash fiction is rising in prominence both online and in print. (For an introduction to the form, see Sophie Powell’s review of The Field Guide to Flash Fiction.) Then came the six-word story trend. And now there’s 7×20, a Twitter-zine publishing short stories and fiction of 140 characters or less. In fact, 7×20 is just one of several Twitter-based short-story outlets. Mediabistro notes that such sites have been springing up everywhere. Some, like Nanoism, even pay. Here are four complete stories: She shows him her wedding ring and he just shrugs. I would be more interested in you if my […]


Interviews |

Type type type: A Conversation with Mimi Smartypants

by Margaret Lazarus Dean

I don’t generally read personal blogs, partly out of an allergy to the twee self-consciousness that so easily results from self-chronicling. But when I stumbled across Mimi Smartypants’s diary a few years ago, I found that I was looking at something different from the typical navel-gazing blog. Rather, what I experience sometimes when I read her diary is that strange phenomenon that first brought me to fiction as a child, and has kept me here all these years.




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