[Reviewlet] An Unexpected Guest, by Anne Korkeakivi
Can’t make it to Paris this spring? Don’t worry. Anne Korkeakivi’s debut novel, An Unexpected Guest , delivers armchair travel fresh as a fragrant baguette.
Can’t make it to Paris this spring? Don’t worry. Anne Korkeakivi’s debut novel, An Unexpected Guest , delivers armchair travel fresh as a fragrant baguette.
Last week we featured Wiley Cash’s debut novel A Land More Kind Than Home, and we’re pleased to announce the winners: Zohreh Ghahremani (@SkyOfRedPoppies) Diane Dunning (@diane_dunning) Braden King (@braden_king) Congrats! To claim your free copy, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us! Thanks to all of you who are fans. We appreciate your support. Let us know your favorite new books out there!
This week’s feature is Wiley Cash’s debut novel, A Land More Kind Than Home, released this week by William Morrow. Cash’s stories have appeared in such places as the Crab Orchard Review, Roanoke Review and The Carolina Quarterly. He holds a B.A. in Literature from the University of North Carolina-Asheville, an M.A. in English from the University of North Carolina-Greensboro, and a Ph.D. in English from the University of Louisiana-Lafayette. He and his wife currently live in West Virginia where he teaches fiction writing and American literature at Bethany College. He also teaches in the Low-Residency MFA Program in Fiction […]
When Wiley Cash found himself homesick for the mountains of western North Carolina, he didn’t drive or fly home—he wrote his way back. In this interview, Cash discusses the importance of place in his debut novel, the legacy of Southern literature, and the influence of mentors on his work.
Hello again, FWR friends. Welcome to the third installment of our new blog series, “First Looks,” which highlights soon-to-be released books that have piqued my interest as a reader-who-writes. We publish “First Looks” here on the FWR blog around the 15th of each month, and as always, I’d love to hear your comments and your recommendations of forthcoming titles. Please drop me a line anytime: erika(at)fictionwritersreview(dot)com, and thanks in advance. Susan Woodring and I are graduates of the same low-residency MFA program. Although we overlapped for a couple of semesters, we were never assigned to the same workshop. Still, I’ve […]
With her debut novel, Regina O’Melveny’s heroine embarks on a journey through Renaissance Europe. Indebted to The Bard, the book inhabits many worlds worth exploring.
Last week we featured Joan Leegant’s debut novel, Wherever You Go, as our Book-of-the-Week title, and we’re pleased to announce the winners. Congrats to: Wendi Corsi Staub (@WendyCorsiStaub) Vicky Ludwig (@greentea166) LauraCatherineBrown (@lauracbrown) To claim your free copy, please email us at the following address: winners [at] fictionwritersreview.com If you’d like to be eligible for future giveaways, please visit our Twitter Page and “follow” us! Thanks to all of you who are fans.
This week’s feature is Joan Leegant’s debut novel, Wherever You Go, which was released by W.W. Norton and Company. Her first book, a collection of stories entitled An Hour in Paradise, was published when she was 53. Winner of the PEN/New England Book Award, the Wallant Award for Jewish Fiction, and the 2011 Nelligan Prize from the Colorado Review, Leegant was also a Finalist for the National Jewish Book Award. For eight years she taught fiction writing at Harvard. Currently she divides her time between Boston and Tel Aviv, where she is the visiting writer at Bar-Ilan University. In her […]
Jesús Ángel García’s debut “transmedia” novel, badbadbad is fast, fun, irreverent, and unlike anything else in the fiction aisle. Starring a lead character who shares the author’s name, the book follows his descent from devout webmaster to the obsessed savior of a pornographic social network. Also included: a documentary, a soundtrack, a chapter-by-chapter YouTube playlist.
“There are people who talk about themselves in the first person, people who talk about themselves in the third person, and people who don’t talk about themselves at all,” says a character in A Meaning for Wife. Yet poet Mark Yakich’s debut novel is narrated–quite successfully–in the controversial second-person.
