Raised in Greece during its period of intensive Westernization, Giota Tachtara lived all her life among things that had two names, two qualities, two associations, and two accents: one in Greek and one in English. Now, as an American resident, she roots through her bilingual bookcase and writes about the narrator in her head who’s caught in the middle.
The skill of disclosure is often at the heart of good fiction; never more so than in The Art of Losing, by Rebecca Connell, just out from Europa Editions. Contributor Sarah Van Arsdale explicates what makes this book work so well by looking at it alongside The Woman in White, by Wilkie Collins.
In Icelandic author Bragi Ólafsson’s The Pets, the narrator spends the novel hiding under his bed as his “friends,” who assume he isn’t home, gather in his apartment. Aaron Cance reviews this voyeuristic tale, its quirky narrative, and its debt to Moby Dick.
Despite the boycott, Preeta Samarasan travels to Sri Lanka for the Galle Literary Festival and finds friends, eager young writers, and a love for a country that reminds her powerfully of her native Malaysia. She reflects on the power of free speech in a country recovering from many years of civil war.
Lee Thomas calls Michael David Lukas’s debut novel, The Oracle of Stamboul, an antidote to mid-winter malaise with “sun-drenched marble, the heat and clamor of the bazaar, and a warm, salt breeze off the Sea of Marmara.” The book features a precocious prodigy, eight-year-old Eleonora Cohen, as a guide through Lukas’s tale of political intrigue in late 19th-century Stamboul.
Each year the Elizabeth Kostova Foundation selects five native English speaking (NES) writers and five Bulgarian writers to participate in the Sozopol Fiction Seminar, which takes places in the tiny, historic town of Sozopol, Bulgaria, on the Black Sea. In 2009 I was lucky enough to be chosen as one of the NES fellows. Joining me were Kodi Scheer, Lana Santoni, Maya Sloan, and now contributing editor Steven Wingate. For one week we lived together, shared meals together, discussed writing together, and discovered the odd similarities in our work and our lives. It was, in a word, amazing. And now […]
Each week we give away several free copies of a featured novel or story collection as part of our Book-of-the-Week program. Last week we featured Elegies for the Brokenhearted, by Christie Hodgen, and we’re pleased to announce the winners: Brooks Rexroat, Kierstyn Lamour, and Kate Hill Cantrill. Congratulations! Each will receive a copy of this new novel. This week we’re featuring Damon Galgut’s novel In a Strange Room. Though this title came out in the U.K. from Atlantic Books last year, it’s only recently been released in the States, published here by EuropaEditions. In September the book was shortlisted for […]
Over at MelvilleHouse Publishing there’s an interesting blog post, In Support of Translation, along with responses, about the Best Translated Book Award being funded by Amazon. Editor Dennis Loy Johnson writes: As the winner of the most recent Best Translated Book (BTB) prize for fiction — for our book, The Confessions of Noa Weber, by Gail Hareven — we here at Melville House were particularly proud to win an award that had been voted upon by a judging panel made up of representatives from some of the country’s best independent booksellers, not to mention some great indie bloggers and critics. […]
“Writers can almost be defined as professional outsiders. It’s part of the job. You often have to step outside of a situation to observe it—to choose the right details—to reshape a mess of events into a narrative.”
Each spring the Elizabeth Kostova Foundation selects five English speaking writers and five Bulgarian writers to participate in the Sozopol Fiction Seminar, which takes places in the tiny, historic town of Sozopol, Bulgaria, on the Black Sea. Four of the 2010 English speaking fellows–Kelly Luce, Carin Clevidence, Charles Conley, and Paul Vidich–collaborate on a group portrait of their experience at this year’s seminar.
