Quotes & Notes: The Lure of Hypnagogia: Poe as Model and Mentor
“Were I called on to define, very briefly, the term Art, I should call it ‘the reproduction of what the Senses perceive in Nature through the veil of the soul’.” –Edgar Allan Poe
“Were I called on to define, very briefly, the term Art, I should call it ‘the reproduction of what the Senses perceive in Nature through the veil of the soul’.” –Edgar Allan Poe
If you’re reading the FWR blog furtively, hunched in your cubicle over your TPS reports, this post is for you. You are not alone: almost all writers need a day job to support their art. Lapham’s Quarterly reveals the day jobs of some famous writers, such as Charlotte Bronte, Franz Kafka, and William Faulkner in trading-card format. Or quiz your friends: Which novelist helped create the modern London police force? Which novelist made only $1838 per year in today’s dollars? If these writers could turn out masterpieces like As I Lay Dying and In the Penal Colony and the Chronicles […]
This morning I woke to hear the sad news that Barry Hannah died yesterday afternoon. He was 67, and the apparent cause was a heart attack, according to the Jackson Free Press. Barry had had several bouts with cancer over the last ten years, yet I was still shocked to hear that he was gone. I guess I’d come to think of him as oddly invincible. Maybe it’s also because Barry’s prose felt like it was carved out of stone. Not weighty, but permanent. With a hint of the divine. That crazy Old Testament kind of divinity that’s equal parts […]
We’ve seen a lot of book adaptations lately, from Where the Wild Things Are to Precious to The Lovely Bones. Screenwriters and directors cut scenes here and add scenes there to transform the book into a cohesive viewing experience. A good adaptation can be a brand-new work of art. But in the process, the book is often boiled down to its essence while the particulars–the writer’s own words–are often lost. The American Repertory Theater in Cambridge, Massachusetts, is trying to work around that. The A.R.T.’s latest production is “Gatz,” a staged reading of F. Scott Fitzgerald’s novel The Great Gatsby […]
We still miss David Foster Wallace, and we’re not alone. In GQ, Deborah Treisman (head of the New Yorker‘s fiction department) discusses working with the late author: You’ve edited a lot of great writers—what was the process like with him? David was wonderful to edit because he was so involved with the minutiae of his work—he had a long explanation for every decision that he’d made, and yet, at the same time, he was willing to rethink anything that didn’t seem to be landing well for the reader. Editing him was sometimes a more painstaking process than editing most writers, […]
Here’s a clever gift idea for the bookishly AND sportishly inclined. Novel-T offers a complete lineup of literary T-shirts–literally. Designed to resemble baseball jerseys, each offers “an opportunity to express your support for the all-stars of literature” and bears the name of a literary figure-cum-position player. Appropriately enough, the “expansive” poet Whitman plays center field, quick-witted Huck Finn plays shortstop, Bartleby is out in left field (where else?), and Ahab is both pitcher and–heh–captain. The front of the shirt bears an appropriate logo, from Hester Prynne’s A to Poe’s raven. Even many of the players’ numbers have been carefully chosen: […]
NYC-based writers, head to Brooklyn’s newest bookstore, Fort Greene’s Greenlight Books (686 Fulton St., at S. Portland), tonight (Monday, November 23) at 7:30 PM for a special event featuring local authors and the editor of Mentors, Muses, and Monsters, a book that we at FWR are excited to read. This is also the bookstore’s first installment of what promises to be an exciting series of events featuring both authors and lit bloggers. On a personal note, I’m thrilled at Greenlight’s birth, if a bit heartsick that I had to leave Fort Greene about a month before it opened; when I […]
The Millions pointed us to this interesting analysis of the Best American Short Stories series from the blog Years of BASS. Jake, the brain behind Years of BASS, has read all of the collections since the 1978 edition and compiled some statistics. C. Max Magee (of The Millions) reports: Interestingly, Alice Munro, though Canadian, has made the most BASS appearances over the last 30 years by a wide margin with 18 appearances. After her come some more of the leading lights of short fiction: Joyce Carol Oates and John Updike with nine stories each; Mavis Gallant (another Canadian) with eight; […]
The Morning News has a great interview with Tobias Wolff by Robert Birnbaum. As contemporary writers go, Wolff has a somewhat unusual publication record: he’s published one novel, one novella, and five collections of stories. But dip into any of them and you’ll see why. Wolff can rightly be called a master of the short form, and in the interview, he shares some thoughts on both it and its future: RB: You would think somehow that—this being a hyper-accelerated era where time is so precious to people—that short stories would be more popular; they would be more digestible. People would […]
If you liked Alexander Chee’s essay on studying with Annie Dillard, rejoice. There’s more where that came from. Chee’s piece is part of the just-published anthology Mentors, Muses and Monsters: 30 Writers on the People Who Changed Their Lives, edited by Elizabeth Benedict (Simon & Schuster, Oct. 2009). I love hearing about how writers interact with other writers and what lessons–positive or negative–they gleaned from their teachers, so I can’t wait to read this. Here are some additional sneak peeks: “The Scholars and the Pornographer”: Carolyn See on her father, who turned to writing pornography at the age of 70, […]
