Lily King’s three novels stand as testaments to the power and endless variation of familial relationships. King’s latest novel, Father of the Rain, tells the story of a daughter’s life-long, primal loyalty to her charming and manipulative father. Interviewer Joshua Bodwell discusses longhand, autobiographical influence, puppies, and how to depict realistic sex, with a writer whose work remains “a beacon of tenderness and sincerity.”
Each week we give away several free copies of a featured novel or story collection as part of our Book-of-the-Week program. Last week we featured Elegies for the Brokenhearted, by Christie Hodgen, and we’re pleased to announce the winners: Brooks Rexroat, Kierstyn Lamour, and Kate Hill Cantrill. Congratulations! Each will receive a copy of this new novel. This week we’re featuring Damon Galgut’s novel In a Strange Room. Though this title came out in the U.K. from Atlantic Books last year, it’s only recently been released in the States, published here by EuropaEditions. In September the book was shortlisted for […]
Each week we give away several free copies of a featured novel or story collection as part of our Book-of-the-Week program. Last week we featured Graham Moore’s The Sherlockian, and we’re pleased to announce the winners: John Horniblow, Maggie Hess, and David Littlejohn. Congratulations! Each will receive a copy of this new novel. This week we’re featuring Elegies for the Brokenhearted, by Christie Hodgen. Published this year by W.W. Norton, Elegies is Hodgen’s third book. She is also the author of the novel Hello, I Must be Going, and the story collection A Jeweler’s Eye for Flaw, which won the […]
Jennifer Solheim weaves the story of her decade-long translation of Yolaine Simha’s I Saw You on the Street into a meditation on the nature of the translator’s labor. Solheim looks at history, politics, time and rereading to parse how “translation can become a snake biting its own tail: the translator as writer and reader is simultaneously subsumed and resurrected by the text in the original.”
Michael Shilling’s interview with Percival’s Planet author Michael Byers delves into the fascinating characters – both historical and imagined – that populate Byers’ novel, which deals with the 1930s discovery of Pluto. Shilling says, “Reminiscent of such lightweights as James and Welty, Byers’ work shines with studied and infuried illuminations of the imperfect spirit; he can map out this process of inner grappling with a lovely, intense, and disciplined artistry.”
How do we honor the dead? Carolyn Gan reviews Pushcart Prize-winning author Christie Hodgen’s Elegies for the Brokenhearted, which offers a fascinating answer to that question. The novel is comprised of five truly melancholy elegies that are anything but depressing.
Fiction Writers Review would not be here without you, our readers. We’re thankful for your insightful comments, engagement with the site and participation with this great community of writers and readers. As we sit down to hearty meals today, or maybe just another Thursday dinner if you’re in India or England, I’ve also got the NaNoWriMo champs on my mind. One week to go! Think of all the ground you’ve covered in the past 25 days, the dedication and discipline that’s been required, the problems you’ve worked out on the fly. Last week, Michael turned me on to GalleyCat’s inspired […]
In the second part of his essay, Scott F. Parker discusses The Corrections as a key to Franzen’s thoughts on commerce and art, and how this tension led to the controversy surrounding the Oprah Book Club. Parker argues that the deep connection the reader forges with the Lamberts is precisely because of their abiding flaws and loneliness, because Franzen reveals how their struggles are our own.
Nearly a decade after publication, Jonathan Franzen’s The Corrections still looms large in American fiction. The novel, and the controversy surrounding it, have influenced the way we think about issues of family, identity, art, commerce, and the role of the writer. In Part I of “The ReCorrections” Scott F. Parker reveals the impact the book had on him as a reader and why he believes “the mood of The Corrections trumps its plot.” Look for Part II tomorrow.
As the swirl of publicity surrounding Jonathan Franzen’s Freedom begins to settle, Scott F. Parker makes the case for a novel that transcends time and place because it captures them so faithfully. Parker also looks at how Franzen’s difficult characters reveal our own prejudices. Later in the week: Parker looks back at The Corrections, nearly a decade after publication.
