Suspend Your Disbelief

Posts Tagged ‘writers on writing’

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Dispatch From Bread Loaf #4: What I Learned from Ann Hood

by Celeste Ng

With all the posts on lectures and readings, you may be surprised to hear that we had any time to workshop at the conference at all. I was very lucky to be in Ann Hood’s workshop, as Ann offered specific concrete approaches to thinking about plot, theme, tension, and all of those nebulous concepts fiction writers have to deal with. We had a lot of novel excerpts in the class, so much of the workshop discussion focused on issues of the novel rather than the short story—a change from the norm. Fellow Bread Loafer Eugene Cross has written an account […]


Shop Talk |

Sirenland 2010: workshop your writing in Italy

by Anne Stameshkin

So…who wants to spend a week with One Story magazine at this hotel in Positano, Italy, engaging in a series of advanced fiction- and memoir-writing workshops with Dani Shapiro, Jim Shepard, and Ron Carlson; giving and attending readings; and dining with a view of the Tirreno Sea? Submissions are open from now through October 31 for the third annual Sirenland Writers Conference (March 21-27, 2010). As someone lucky enough to have been workshopped by Shepard once, I urge other writers to jump at any chance to discuss work with him! Visit the Sirenland website to learn more about the conference […]


Reviews |

How to Become a Famous Writer Before You're Dead, by Ariel Gore

I haven’t read a book on writing nearly as useful as Ariel Gore’s How to Become a Famous Writer Before You’re Dead: Your Words In Print and Your Name in Lights since I bought a copy of Anne Lamott’s Bird by Bird. This is a must-have DIY how-to for any writer interested in success, whether that means starting with homemade zines, jumping straight into big-time publishing, or working part-time on that novel while slaving away at your day job. Gore’s advice will help writers get the word out, get noticed, and get famous—without being a colossal jerk, fame whore, or media spammer.


Shop Talk |

Dispatch from Bread Loaf #3: Maud Casey on Historical Fiction

by Celeste Ng

Toward the end of the conference, I was seriously overstimulated and running on an average of 5 hours of sleep per night. But the title alone of Maud Casey’s lecture, “The Secret History: The Power of Imagined Figures in Historical Fiction,” lured me out of bed that very last morning. Although I haven’t yet written any historical fiction myself, I’m especially interested in the space where the fictional meets the real, and how writers balance the responsibilities they have toward historical fact with the responsibilities they have toward emotional and aesthetic truths. Casey’s lecture was more than worth the lack […]


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Dispatch from Bread Loaf #2: On Lushness, Irony, and Honesty

by Celeste Ng

At Bread Loaf, the first thing people asked–after “What’s your name?”–was often “What genre do you write?” There wasn’t any great divide between poets, fiction writers, and nonfiction writers, but somehow it seemed important to know. Maybe this is because we tend to think of our genres as very different forms with very different concerns and goals. I can’t count how many times I heard fiction writers say, “But I don’t know anything about poetry…” and poets say, “Well, I don’t get plot.” But actually, I think that poets and fiction writers have more overlap than they often believe. A […]


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DISPATCH FROM BREAD LOAF #1: What I (Heard) Read This Summer

by Celeste Ng

I was lucky enough to attend the Bread Loaf Writers’ Conference in Vermont this summer, as a tuition scholar, and I’m still processing all that I learned. In the 12 days I spent on the mountain, I heard 101 people read in 24 separate readings. I attended 5 workshop sessions, 5 lectures, 3 craft classes, and countless cocktail hours. And I’m still kicking myself for not doing more. But I guess that’s part of the experience. Bread Loaf is an exercise in excess: a positive glut of new ideas and voices and inspirations. I left completely overstimulated, with a stack […]


Shop Talk |

writing time

by Anne Stameshkin

J. Robert Lennon, whose story collection Pieces for the Left Hand will be reviewed on FWR later this fall–and who was recommended highly to our readers by Lydia Davis–recently made this fantastic confession on behalf of all writers. We don’t spend much time writing. There. It’s out. Writers, by and large, do not do a great deal of writing. We may devote a large number of hours per day to writing, yes, but very little of that time is spent typing the words of a poem, essay or story into a computer or scribbling them onto a piece of paper. […]


Interviews |

Know Then Thyself: A Conversation with Jeffrey Rotter

Lee Thomas talks to debut novelist Jeffrey Rotter about the social risks of homemade clothing, museums as metaphors, the parallels between As I Lay Dying and reality T.V., and the ways in which imagination can change the world – for good and evil. The title of Rotter’s novel, The Unknown Knowns, alludes to that Donald Rumsfeld speech of linguistic loop-de-loops that would have driven George Orwell crazy; the book, which looks askance at our modern take on “Us vs. Them,” tackles the ontological questions presented by our vague and shadowy paranoia, but ups the ante considerably beyond the present moment in history to the personal crises that drive all good stories.


Reviews |

How I Became a Famous Novelist, by Steve Hely

What aspiring novelist doesn’t dream of early fame? Granted, it’s a willfully suppressed narrative—unwritten, unspoken, and perhaps for a noble few, unimagined—but most writers have contrived versions of a meteoric rise to literary success along with more prosaic early fictions. And, given the chance, who would shunt the regard of established authors, modest financial gains, and possible tenured teaching position that await? How I Became A Famous Novelist (Grove/Atlantic, July 2009), Steve Hely’s debut novel, uses this condition as pretext for rollicking satire.




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