Suspend Your Disbelief

Archive for 2009

Shop Talk |

when writers stop drinking (or start taking meds, or start reading Peter Kramer)

by Anne Stameshkin

While doing research for his debut novel, In the Rooms (about a literary agent named Patrick Miller who feigns, in the tradition of Dexter and Fight Club, an addiction as a means to an end…in this case, signing a literary legend), Tom Shone studied the effects of sobering up (or not) on some famous writers, as well as their widely differing attitudes toward recovery, rehab, and programs like AA. Here are some of his findings in this essay for Intelligent Life magazine. A couple of, er, tastes: Cheever emerged from rehab a different man, 20 pounds lighter, feeling 20 years […]


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Writing Regimen from the Southeast Review

by Anne Stameshkin

The Southeast Review‘s Writing Regimen is a 30-day writing project for poets, essayists, and fiction writers who crave some motivation and structure for a concentrated period of time. Another session (for adults) starts on October 1. (If you’re interested in the Young Writers’ Regimen, the next one begins August 31.) For $15, writers will get the following: daily writing prompts; a daily reading-writing exercise; a “riff word” of the day; a podcast of the day from an editor or writer; a quote of the day from a famous writer; weekly craft talks from established writers; a free copy of the […]


Reviews |

Nothing but a Smile, by Steve Amick

Steve Amick’s superb second novel, Nothing But a Smile (Pantheon, 2009), opens in June of 1944, with Winton (“Wink”) S. Dutton, a promising young cartoonist in civilian life, walking the streets of Chicago. Wink is home from the war early, his drawing hand having been mangled when, hung-over while doing an assignment for Yank Magazine, he misheard an ensign’s instructions and touched a submarine flywheel that he should have simply drawn. But prior to shipping back home, Wink had promised his buddy, Bill (“Chesty”) Chesterton, to look up his wife, Sal, in Chicago, so he might tell her how faithful Chesty has been to her, and how much he loves her. And right away, Amick has readers worrying over their meeting; the bleached bones of an affair have been set out in a row…


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introducing Cerise Press, a new lit journal

by Anne Stameshkin

Cerise Press has just launched their debut issue, which features artwork and photography as well as poetry, prose, translations, interviews, and reviews by writers such as Tess Gallagher, Ray Gonzalez, Laura Kasischke, Robert Kelly, Pura López-Colomé (translated by Forrest Gander), and Hai Zi (translated by Ye Chun). Click here for a full list of contributors and here for the Table of Contents by genre. This new online journal is a collaborative effort between three French and American editors (writer-translator Fiona Sze-Lorrain [Greta Aart] in Paris, poet Sally Molini in Nebraska, and poet Karen Rigby in Arizona) who aim to (per […]


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hey, you've got to hide your work away

by Anne Stameshkin

Kathryn just sent me this article by Joseph Epstein (for In Character). From the first few paragraphs of “Blood, Sweat, and Words,” I thought the piece might explore how much of the effort behind an author’s work shows in the work itself (and what impact this has on said work’s overall effect); instead, it focuses more on how writers choose to talk, outside of actually making art, about the work that goes into doing so. As a writer yourself, how do you feel about authors who, when they talk about the craft of writing or their personal process, make it […]


Interviews |

Getting the South Right: A Conversation with Jesmyn Ward

Jesmyn Ward grew up in DeLisle, Mississippi. Her first novel, Where the Line Bleeds (Agate, Nov. 2008), is about twin brothers navigating life after high school in a small Gulf Coast town. Where the Line Bleeds is an Essence Book Club Selection, a 2009 Honor Award recipient from the Black Caucus of the American Library Association, and a nominee for the Hurston/Wright Legacy Award. Jesmyn Ward’s essays and fiction have been published in Oxford American, A Public Space, and Bomb magazines. She holds an MFA from the University of Michigan, and she is currently entering her second year as a Stegner Fellow at Stanford.

Nico Berry spoke to the author by phone as she soaked up the summer heat back home in DeLisle, Mississippi.


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Fort Greene Park Summer Literary Festival

by Anne Stameshkin

On Saturday, August 22 at 3 PM, come to the monument in Fort Greene Park (Brooklyn, NY) for the (FREE) fifth annual Summer Literary Festival; the event is presented by the New York Writers Coalition (NYWC), Akashic Books, GTHQ, the Fort Greene Park Conservancy, and the Walt Whitman Project. Brooklyn-based authors Colson Whitehead, Toure, and Stacey Ann Chin will share the reading podium with young writers (ages 7-17) from the NYWC’s free creative writing workshops in the park. Visit the NYWC’s website for more details. Sadly I just moved away from Fort Greene, but I highly recommend a visit to […]


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In a world where fifteen minutes is a "commitment"…

by Anne Stameshkin

Please read that subject line in Dramatic Male Movie Preview Voice. Today, Bookfox synthesizes some insightful comments on Seth Fisher’s piece “More Crappy News for Short Story Writers” (on The Rumpus), addressing the whole “why don’t people read more short stories if they have less time?” question. Thoughts? Comments? Revolutionary notions? I plan to discuss this question in depth when I (finally) review Lauren Groff’s wonderful collection, Delicate Edible Birds, this fall, and I’d love to hear what others think about it. Does a short story require a more focused kind of attention than most readers are able to muster? […]


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NPR's "Three-Minute Fiction" contest

by Anne Stameshkin

The flash-fiction / short-short-short trend continues… For Round II of this contest, NPR invites writers to submit an original work that begins with this sentence: “The nurse left work at five o’clock.” Instructions, via the site: One entry per person, and no more than 600 words, please. Stories must be received by 11:59 p.m. EDT on Tuesday, Aug. 25. We’ll post a favorite story weekly until the New Yorker‘s James Wood picks our winner and reads his or her story on the air. The winner will also receive a signed copy of Wood’s book, How Fiction Works. (And if you […]


Reviews |

Doghead, by Morten Ramsland

by Cyan James

Hundehoved. See, it sounds a little more haunted, a little more rhythmic, a little more intense in Danish. But the English “Doghead” sounds good, too: blunt and pragmatic, both mysterious and common as dirt. Come to think of it, mystery and the commonplace both pervade Doghead(Thomas Dunne Books, 2009, trans. Tiina Nunnally), a Scandinavian saga obsessed with the convoluted telling of what goes awry in the gnarled branches of the Erikkson family tree.




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