FWR at AWP
by The Editors
A highlight of 2018 AWP Conference panels and events featuring our recent contributors.
A highlight of 2018 AWP Conference panels and events featuring our recent contributors.
Editor’s note: At AWP 2012, which just wrapped up in Chicago, we were thrilled to hear this wonderful story from one of our contributors, Sarah Van Arsdale, and are delighted to share it with you. It’s a reminder of what conferences are really about: fostering community to buoy a writer’s spirit, helping you hang in there through those the hard months years when it feels like you’re going nowhere. 2009, Chicago. Attended AWP with the single-minded purpose of finding a publisher for my novel; my agent had tried like hell, and failed to place it. Barely made it to a […]
So you’re not at AWP right now, and you’re wondering what kind of highjinks you’re missing? I can promise you, you’re not missing anything as fun as the sessions on Full Stop’s mock AWP schedule, which I must confess looks way more exciting than the original. Here are the sessions I’d be attending at this alterna-AWP: 4 Over 400: The Gutenberg Problem. Noted grimoire authors Merlin, Gandalf, Conor MacLeod, and Albus Dumbledore discuss the potentially disastrous consequences of printing presses. Will the grimoire survive this radical new development in publishing? How should scroll hawkers best adapt to the new […]
We here at Fiction Writers Review are excited to hit AWP and catch up with our friends and contributors. All throughout the conference, you can find us at our Bookfair table (N16)—come by and say hi! And here’s a partial list of FWR-related events: Thursday, March 1st: 12 pm – “Beyond the Workshop”: Contributor Margaret Lazarus Dean and other panelists explore new ways of teaching creative writing. (Private Dining Room 2, Hilton Chicago, 3rd Floor) 7 pm – University of Michigan Reception: Contributor Valerie Laken reads along with Darcie Dennigan. (Marquette, Hilton Chicago Hotel 3rd Floor<) Friday, March 2nd: 9 […]
Other than the addition of photocopying and the subtraction of cigarettes, creative writing workshop formats haven’t changed much since their earliest days. Is there a better way? Writer and teacher Liam Callanan reports on his experiments, and the legend that inspired them.
Sometimes all the talent and skill in the world are not enough to get a book written. Valerie Laken makes a case for coaching, not just teaching, young writers.
This week, we bring you not a traditional journal but Fresh Pressed, the biannual newsletter from the Council of Literary Magazines and Presses. CLMP is an organization dedicated to serving independent literary publishers, offering a biweekly e-newsletter, a literary journal circulation database template to help lit mags manage their records, workshops and roundtables, various online resources, and several publications. The current edition (February 2011) of Fresh Pressed contains audio versions of panels and workshops from AWP 2011 and CLMP’s Fall 2010 LWC}NYC (Literary Writers Conference in New York City). Topics include: “Editor as Mentor: Literary Magazines and Emerging Writers” (a […]
In the final essay in our series on criticism, Keith Taylor recalls the pleasure of a “chance to review a new collection of poems in a place where several thousand people might read it, and to actually be paid something for our labors.” Has the Internet created room for “a more expansive tone to the discussion of contemporary poetry” – or made an already diminishing realm more clubby? Taylor’s experience as both poet and reviewer reveals the shaping potential of creating art and criticism.
This week we’re revisiting the 2011 AWP Conference in more ways than one. Yesterday we posted Jeremiah Chamberlin’s introductory talk for the AWP panel he moderated, “The Good Review: Criticism in the Age of Book Blogs and Amazon.com.” This morning, we posted Charles Baxter‘s discussion of “Owl Criticism” from the same panel. Stay tuned for two more essays by the panelists Stacey D’Erasmo (tomorrow) and Keith Taylor (Friday). Seeing so many contributors, and connecting with writers, teachers, publishers, agents and lit journals who share our enthusiasm for FWR, was amazing. It also reminded us of the vital role you, dear […]
Editor’s Note: This is an older posting of Charles Baxter’s essay “Owl Criticism.” For the complete version, please click here.
