Suspend Your Disbelief

Posts Tagged ‘craft’

Reviews |

The Rose Metal Press Field Guide To Writing Flash Fiction: Tips from Editors, Teachers, and Writers in the Field, edited by Tara L. Masih

by Sophie Powell

As a creative writing professor at Boston College, I frequently use collections of flash fiction, stories which usually run 1000 words or less. Given time limitations and the varying writing experience of my students, these versatile, word-limited pieces are a very approachable and satisfying form to work within. However, I always find myself floundering about when I try to explain and define this genre for the first time. It was therefore with keen interest that I picked up The Rose Metal Press Field Guide to Writing Flash Fiction, an unprecedented gathering of 25 brief essays by experts in the field that includes a lively, comprehensive history of the hybrid genre by editor Tara L. Masih.


Essays |

Quotes & Notes: Peering and Leaping into the Author/Character Vortex, Part 1

by Steven Wingate

Let’s face it: fiction writers do not have a reputation for being carefree, untroubled souls. Even
our fellow artists consider us broody navel-gazers who are overly introspective and perhaps even in love with our own problems. (We do, after all, tend to keep writing about characters whose psychic profiles overlap significantly with ours.) The general public is hardly more charitable, usually assuming that (a) we study them to gather material, or (b) we all write thinly-veiled autobiography, and are so blind as to not even be aware of it. Do we deserve assessments like these? Probably so…


Shop Talk |

The Program Era: future FWR discussion?

by Anne Stameshkin

After a hermitish week and weekend of work, I finally had the chance to sit down with my New Yorker this morning and read Louis Menand’s essayistic review of Mark McGurl’s The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard UP, Apr. 2009). It inspired me to order a copy of the book, which I think might be a great one to discuss via a group review on FWR. Who would be interested in joining this group review, which we’d aim to do in early August? Celeste, I know you’re in (and thanks to both you and […]


Shop Talk |

recommended reading: L.A. Times's "Writers on Writing" series

by Anne Stameshkin

Thanks to Erika/Practicing Writing for alerting FWR to the L.A. Times‘s new “Writers on Writing” feature, which publishes every Friday. This week’s upcoming installment will the the fifth, but there are already some very interesting essays, including a piece by Taylor Antrim on writing the second novel and last week’s essay by Rich Cohen: “Will Facebook kill literature’s ‘leave the past behind’ themes?” Read more about (and excerpts from) Taylor Antrim’s debut novel, The Headmaster Ritual, here, and more about Rich Cohen’s books, The Avengers and Tough Jews, here.


Shop Talk |

excerpt from Donald Maass's The Fire in Fiction

by Anne Stameshkin

Today, agent Donald Maass‘s new craft book published, and he was kind enough to share the following excerpt with FWR readers; scroll down to read more about the book and its author. A Singular Voice Do you have style? Some authors have a plain prose style. That is said often of John Grisham, James Patterson and Nicholas Sparks. They are strong storytellers and best sellers so I dare say they are not much bothered about it. Other writers are known almost entirely for their way with words. Reviewers swoon over their “lapidary” prose (I had to look it up) and […]


Interviews |

Interview with Nicholas Delbanco, The Count of Concord

by Brian Short

In his most recent novel, The Count of Concord, Nicholas Delbanco revives a largely forgotten but fascinating historical figure who was, in his day, an international celebrity: renaissance man Count Rumford (1753-1814). Brian Short asks Delbanco about the story behind bringing this character back, as it were, to life–and the experience of picking up a manuscript again after 20 years.


Essays |

How It Feels to Get There: Reading Deborah Eisenberg's Twilight of the Superheroes with Charles Baxter's The Art of Subtext

by Liana Imam

Quite early on in The Art of Subtext, Charles Baxter gives a tongue-in-cheek suggestion for a compelling story: “give the character exactly what s/he wants, and see what happens.” In Eisenberg’s stories, having what one wants is an unexpectedly fraught condition.


Shop Talk |

National Book Awards — and brief musings on "theme"

by Anne Stameshkin

Congratulations to Peter Matthiessen, whose novel Shadow Country just captured the 2008 NBA in Fiction. In this interview (conducted after his book was named a finalist), Mattheissen describes his writing process and shares why he thinks fiction matters. Interviewer Bret Anthony Johnston asked the author what the “engine” behind his novel was: BAJ: For some writers, the engine that powers their fiction is character. For others, it’s language. For others still, the engine might loosely be called “theme.” Do you identify with any of those? What sparked the initial idea for you? PM: Very important as those are, the seed […]




Literary Partners