Suspend Your Disbelief

Posts Tagged ‘lit magazines’

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2010 Asian American Short Story Contest–DEADLINE EXTENDED

by Celeste Ng

Hyphen Editor Neelanjana Banerjee reports that due to excellent response to the 2010 Asian American Short Story Contest, the contest deadline has been extended to April 12, 2010. As a reminder, the contest is open to all writers of Asian descent living in the United States and Canada, and there is no required theme. This year’s judges are Alexander Chee and Jaed Coffin. Ten finalists will receive a one-year subscription to Hyphen and a one-year membership to Asian American Writers’ Workshop, and one grand prize winner will also receive $1,000 and publication in Hyphen. Read our earlier post about the […]


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Recommended Reading: Aryn Kyle story in Five Chapters

by Celeste Ng

I am not a patient person. People who do slow, meticulous things like needlepoint and whittling amaze and bewilder me. This impatience applies to my reading habits, too: when immersed in a book I love, I can’t stop myself from reading faster and faster, eager to see the whole picture, to wolf the whole story into my head. Luckily, though, Five Chapters exists to remind me that patience is a virtue. Five Chapters publishes one story each week, with one section of the story posted each day. It’s an old-fashioned exercise in delayed gratification, and as this week’s story is […]


Reviews |

A Little Bone of Crazy, or This is Your Brain On Snowbroth: Leni Zumas’s Farewell Navigator

Most of Leni Zumas’s stories in her exceptional (and stylistically exciting) debut, Farewell Navigator (Open City, 2008), are compact studies of paralysis in the tradition of Beckett and Ioensco. Sherwood Anderson could have been describing Zumas’s characters as they, too, are “forever frightened and beset by a ghostly band of doubts.” In “Farewell Navigator,” one character envies a group of blind schoolchildren for having teachers “to pull them. Nobody expects them to know where to go.” And in “Leopard Arms”—a story told from the perspective of a gargoyle—a father fears “of doing nothing they’ll remember him for. Not a single footprint—film, book, record, madcap stunt—to prove he was here. Am I actually here? he sometimes mutters into his hand.”


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Shady Side Review Postcard Contest

by Jeremiah Chamberlin

The Shady Side Review is having a postcard contest. They’re seeking the best poetry or prose of 100 words or less. Winners will have their work published on–what else?–postcards. The submission deadline is March 17, and each entry is $1. From the Editors: What can you get for a dollar these days? A newspaper (but they don’t usually publish fiction unless you’re famous. Are you famous? Maybe your work is already in a newspaper then.) A bagel (but unless you carve your poem into the dough, your work does not appear here). Eternal fame and glory (this can be achieved […]


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One (Love) Story

by Celeste Ng

Yet another reason to read literary journals: they could help you find your soulmate. One Story has a great story up on its blog about how the magazine brought a couple together: Outside the Harvard Bookstore we prepared to part, making the non-committal noises of people who are never going to see each other again. Misery mixed in with relief. Within a few minutes this poetic, literary woman was going to vanish into the bright lights of the bookstore. The kind of woman I’d been dreaming about my whole life. But that’s what it was: a dream. Before she left, […]


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The Death of the Slushpile

by Celeste Ng

The slush pile: Beginning writers get lost in it. Beginning editors sift through it. The Wall Street Journal points out some of the effects of its disappearance: As writers try to find an agent—a feat harder than ever to accomplish in the wake of agency consolidations and layoffs—the slush pile has been transferred from the floor of the editor’s office to the attaché cases of representatives who can broker introductions to publishing, TV and film executives. The result is a shift in taste-making power onto such agents, managers and attorneys. Theirs are now often the first eyes to make a […]


Interviews |

Elephants and Online Fiction: An Interview with Michael Czyzniejewski

by Michael Hinken

Author of the recently published short story collection Elephants in Our Bedroom, Michael Czyzniejewski grew up in the Chicago suburb of Calumet City, Illinois. He graduated from the University of Illinois in 1995 with a degree in rhetoric, and two years later, he received an MFA in fiction from Bowling Green State University.


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Keyhole Press Joins Dzanc Books

by Jeremiah Chamberlin

While many publishers and literary magazines are closing their doors, Dzanc has opened theirs to Keyhole Press. As of January 1st, Keyhole will join Absinthe: New European Writing, OV Books, Black Lawrence Press, and Monkeybicycle, as part of the Dzanc collective. This from the Dzanc press release: “Keyhole has an impressive list of writers including William Walsh, Stephanie Johnson, Shellie Zacharia, and has forthcoming work scheduled from Aaron Burch and Matt Bell, and also publishes the wonderful Keyhole Magazine, a fantastic literary journal.  Furthermore, Keyhole is developing a strong presence in the Nashville literary scene.  Dzanc is excited to formalize our […]


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Literary Gifts #4: Lit Mag Subscriptions

by Celeste Ng

I love giving magazine subscriptions as presents: it’s like a new gift every month. If there’s a reader–or a write–on your holiday gift list, how about a subscription to your favorite literary magazine? Most subscriptions run under $40, a bargain for a present that provides a fresh infusion of stories, poems, and essays over the course of a year. And you’ll provide much-needed support to literary journals and the writers they publish. Old standbys like The Kenyon Review, Glimmer Train, Tin House, and Virginia Quarterly Review put out beautiful, hefty issues 4 times a year. Want your stories more frequently? […]


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McSweeney's 33: Litmag Meets News

by Celeste Ng

McSweeney’s next issue will be packaged in the form of an old-fashioned newspaper. The New York Times‘s ArtsBeat reports: McSweeney’s No. 33 is to be in the form of a daily broadsheet — a big, old-fashioned broadsheet. The pages will measure 22 by 15 inches. (Pages of The New York Times, by comparison, are 22 by 11 1/2 inches.) Called San Francisco Panorama, the editors say it is, in large part, homage to an institution that they feel, contrary to conventional wisdom, still has a lot of life in it. Their experience in publishing literary fiction is something of a […]




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