The Past, by Tessa Hadley
by Ellen Prentiss Campbell
“With her customary depth, compassion, and wit, Hadley explores the vexations of togetherness and separateness, the puzzle of core individual and family identity.”
“With her customary depth, compassion, and wit, Hadley explores the vexations of togetherness and separateness, the puzzle of core individual and family identity.”
“The novel’s primary storyline begins approximately where Mawer’s last novel, Trapeze (Other Press, 2012), left off. Marian, who in Trapeze parachuted into occupied France as an undercover agent, is now returning to England at the end of World War II.”
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“I think that this was a moment where I had to figure out, what’s the book?”: Stephen Schottenfeld answers Ralph Black’s questions about Bluff City Pawn, his debut novel.
Lynette D’Amico talks with fellow Warren Wilson alumna Lenore Myka about her debut story collection, politics in fiction, the impact writing can have on culture, the costs of creativity, and more.
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“But what happens if the author walks into the story and turns up on the page?”: Maggie Kast discusses narrative distance in Coetzee’s Slow Man.
Leslie Pietrzyk talks with Melissa Scholes Young about story contests, writing grief, mothers & daughters, storytelling, and more.
Ben Nadler goes to great lengths to inhabit the setting of Isaac Babel’s “My First Fee.”
