Suspend Your Disbelief

Posts Tagged ‘Author Takes’

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Propaganda and Product Placement in Fiction and Speech

Some of the most complex and weighty signifiers are brand names, celebrity names, clichés, and propagandist phrases like “axis of evil.” These categories overlap: celebrity names are brand names, brand names are propaganda, propaganda is cliché, etc. “Axis of evil” is a place to start because of its obviousness. No educated person I have met can vocalize this phrase without quotation marks implicit in the vocal texture. What do these quotation marks mean? I think they mean we don’t wish anyone to think we are complicit with the ideology behind the phrase. We use quotation marks to indicate awareness of […]


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The Thrill of Rejection and the Sensible Drunkenness of Success

A writer can never have too much (or too little) advice on how to handle rejection. Every rejection, no matter how discrete, invokes the sensation of being punched in the face, and it’s extremely difficult to be magnanimous while that’s going on. So here’s my advice: with a slight shift in perspective, it’s possible to find rejection thrilling. The first step is learning how to take a punch. (Having been raised in a boxing family, I acquired this knowledge early in life.) The second step is learning how to enjoy taking a punch. That’s the hard part. Once my debut […]


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From TV Screen to Novel and All the Wines and Teryaki Bowls in Between

by Charles Blackstone

It was October 2005, and professionally and personally, I was rudderless. Where had I gone wrong? In the preceding two years, I’d finished serving my grad school sentence and been released from Boulder. Back in Chicago, the city in which I’d grown up, I’d taken a one-bedroom apartment in a baseball-sodden neighborhood with scant street parking. I was halfheartedly teaching some community college comp and developmental reading courses (my sole qualification for getting the unclaimed developmental reading assignment: my willingness to take the teacher’s edition and my vow to learn something in the days before I’d have to face the […]


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How to Squeeze a Story Out of the Soul; Or, How to Squeeze the Soul Out of a Story

Something I often heard in my experience as an MFA student was that one should write “painfully slow,” making every sentence count by tinkering with each word before moving on to the next one. In short: the story stalls, or never soars. The sentence is god. Typically, creative writing courses focus on the language of scene, character, plot, and dialogue the way we learn the parts of speech. This is the predicate; it should follow the subject sounds incredibly similar to This is the denouement; it should follow the climax. Even at the graduate level, workshops expend their energy with […]


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My Inner Erma: Embracing Humor Writing

My close friend Anthony once told me during an e-mail conversation that he considered me the modern-day equivalent of Erma Bombeck. I was offended. I think my actual reply was “WTF?” Anthony was confused. “Erma Bombeck was a great writer,” he typed. “She melded all of this every day experience into something bigger, but she did it by being funny.” “I don’t want to be Erma Bombeck! I want to be Joan Didion!” “You’re not that kind of serious,” he wrote. “Can I be Alice Munro?” It went on like this until he said, “You know, I meant it as […]


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The Unsaid Meaning of Writing: Don’t Write

by Urban Waite

On a recent trip out of New York, headed home to Seattle, where my wife and I share a house and also where much of my writing is done, I found myself on the jet-way leading from the terminal to the airplane. The passengers were backed up single-file along the tunnel, not in any uniform way, but in that impatient, lean to the right then lean to the left then look down the row toward where they should have been five minutes before kind of way. It’s intimate in a way only elevators are intimate. Everyone so close you can […]


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Happy Short Story Month!

by The Editors

Happy Short Story Month 2013! Once again, we’ll be celebrating short stories all month here at Fiction Writers Review: Reviews of fantastic story collections, such as Jamie Quatro’s debut I Want to Show You More, which is our lead feature for the month. We’re also excited to publish reviews of Ethan Rutherford‘s The Peripatetic Coffin, Karen Russell‘s Vampires in the Lemon Grove, and several others that we’ve been saving for Short Story Month. Interviews with established writers like Charles Yu, debut authors like Sarah Gerkensmeyer, whose collection What You Are Now Enjoying is currently longlisted for the Frank O’Connor International […]




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