[Reviewlet] In Zanesville, by Jo Ann Beard
The appeal of Jo Ann Beard’s coming-of-age novel In Zanesville transcends both age and gender.
The appeal of Jo Ann Beard’s coming-of-age novel In Zanesville transcends both age and gender.
Sharon Harrigan on the peril of reading George Saunders. Among them, the inability to leave home without encountering Saundersian absurdities.
Tyler McMahon’s new novel, How the Mistakes Were Made, is a tragedy set to rock and roll. In this conversation with Caleb Winters, McMahon recalls the paranoia of Cold War America, shares his experiences touring with a band, and reveals how writing can be like church.
Forrest Anderson on the semester he “caught fire as a writer,” when Ron Rash handed him a life-changing copy of Dale Ray Phillips’s debut, My People’s Waltz. Anderson describes the exquisite moments of grace in the collection when “all of the bad things to come are brewing on the horizon but haven’t yet managed to fully snag the family.”
Aaron Cance interviews Jonathan Evison about his new novel, West of Here, a rich and complex self-examination, a study of the struggle between the human need to move forward and the historical inertia that is the result of our congested lifestyles. Its flawed, yet sympathetic cast of characters is compelling, as are the philosophical questions it poses. Although it will assuredly take its rightful place in the canon of American Western fiction, readers would do well to think of this work as something more than just another novel.
Jess Row’s second collection of stories, Nobody Ever Gets Lost, is an examination of some of our most intense impulses, and the debates, quandaries, and mysteries in these seven stories will stay with you. Charlotte Boulay talks to Jess Row about the intersection between compassion and extremism.
Siobhan Fallon’s debut story collection You Know When the Men Are Gone lets readers into a secret world of military families. Behind perfectly manicured lawns and Family Readiness Groups, Fallon’s stories reveal the stress of repeated deployment, wounded service members, and the difficulties of homecoming. Beth Garland, herself a military spouse, reviews a collection infused with “grief, heroism, and bitter disappointment.”
In Binocular Vision: New & Selected Stories, Edith Pearlman grabs the reader’s attention and never lets it go. In this review, Andrea Nolan looks at some of Pearlman’s first lines and examines how her stories are united through character, theme, and place.
A Young Man’s Guide to Late Capitalism is not your grandfather’s expat novel. In this smart debut, Peter Mountford rolls up his sleeves and delivers a crash course in Latin American history, contemporary economics, and international politics—all within a page-turning story about the dreams and gaffes of a twenty-something American working for an unscrupulous hedge fund in Bolivia.
In this lively conversation, Travis Holland and author Richard Ford discuss the genesis of Ford’s most famous fictional character, Frank Bascombe, the importance of always remembering the reader, greeting cards, what could well be one of the greatest short stories of the 20th century, and why place in fiction means nothing.
Surprising Things Can Happen: An Interview with Kristen Roupenian
Part of a Bigger Conversation: An Interview with Rebecca Makkai
If You See Me, Don’t Say Hi: An Interview with Neel Patel
Sometimes Taking Things Out Counts as Writing: an Interview with Celeste Ng
Influences: An Interview with Tobias Wolff
Stories We Love: “Blue Lenses,” by Daphne Du Maurier
Stories We Love: “White Angel,” by Michael Cunningham
Stories We Love: Donald Barthelme’s “The School,” In Which is Revealed the Meaning of Life
Stories We Love: "A Small, Good Thing" by Raymond Carver
Stories We Love: "The Fall River Axe Murders," by Angela Carter
