Sometimes the best things in life come in small packages: Cadbury Creme Eggs, bonsais, the poetry of Kay Ryan. The same is often true of fiction, where in a few thousand words a great short story can convey emotional intensity in a way that a longer piece sometimes cannot.
Tim Z. Hernandez’s Breathing, In Dust rips along like one of the trains whose wheels sing Catela, Catela, Catela, Catela as they churn through the San Juaquin valley. In twenty linked, ferociously compact short stories and a lyrical prologue, Hernandez sings of Catela too, triumphantly bringing this fictional farming community to life.
Charles Dodd White‘s debut novel, Lambs of Men (Casperian, Nov. 2010), unfolds in the Appalachian mountains of North Carolina immediately following World War I. After serving in the trenches of France, Hiram Tobit returns to the hills as a Marine Corps recruiter. Hiram’s homecoming dredges up an unhappy past—the last person he wants to see awaits him, the sole remaining member of his family: his father, Sloane. The alcoholic Sloane accidentally shot Hiram’s brother, Kite, years earlier. Following on the heels of this horrible event, Hiram’s mother, Nara, committed suicide during Hiram’s tour of duty. Naturally, Hiram blames his father […]
The stories in PANK epitomize their founders’ spirit of innovation, and it’s this spirit that has quickly helped build the journal a loyal community. Read on to learn more about how the journal provides inspiration for writers and readers alike.
We’ve all heard “You can’t go home again,” but what if you don’t want to? Ben Katchor’s new graphic novel,The Cardboard Valise, explores Emile Delilah’s xenophilia, and the art and delusions of travel. Sara Henkin reviews.
In her first novel, Swamplandia! (Knopf, 2011), acclaimed short story writer Karen Russell (St. Lucy’s Home for Girls Raised by Wolves) renders a highly specific shoebox-world of wonder and mystery. Set in the Florida swamps, largely within a fictional alligator theme park, the sun rises and sets with her lush yet economical descriptions and poignant characterizations of the 14-year-old protagonist, Ava, and her rapidly dissolving family.
Preeta Samarasan finds South African novelist Marlene van Niekerk’s Agaat to be transformative. The story of an Afrikaner woman and the black servant who has worked for her for most of both their lives, Agaat examines relationships of race and power between the two women by employing a stunning combination of structural intricacy, stylistic range, and daring allegory.
Siobhan Fallon’s debut story collection You Know When the Men Are Gone lets readers into a secret world of military families. Behind perfectly manicured lawns and Family Readiness Groups, Fallon’s stories reveal the stress of repeated deployment, wounded service members, and the difficulties of homecoming. Beth Garland, herself a military spouse, reviews a collection infused with “grief, heroism, and bitter disappointment.”
Two recent releases from Dzanc imprint Keyhole Press expand the scope of literary fiction. How to Predict the Weather by Aaron Burch and How They Were Found by Matt Bell create provocative new worlds in their debut collections of short stories. Consistent with this press’s production of thought-provoking fiction, Burch and Bell unravel beautiful and unsettling tales with exquisite prose.
In Binocular Vision: New & Selected Stories, Edith Pearlman grabs the reader’s attention and never lets it go. In this review, Andrea Nolan looks at some of Pearlman’s first lines and examines how her stories are united through character, theme, and place.
