Suspend Your Disbelief

Reviews

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Tunneling to the Center of the Earth, by Kevin Wilson

If Tunneling to the Center of the Earth (HarperPerennial, 2009) were a child, it would be the kind who held your hand until you reached the road and then insisted—slapping at your grasping fingers without taking his eyes off the road—on crossing the street without help. If Kevin Wilson’s debut collection were a car, it would be the kind of bubble-topped, shark-finned future-car that you see on footage of old World’s Fairs, but you would see it out in the world, cruising the miracle mile. If this book were a friend, it would be the kind who goes with you […]


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Swimming with Strangers, by Kirsten Sundberg Lunstrum

The stories in Kirsten Lunstrum’s new collection, Swimming with Strangers, are smart, harrowing, dramatic, and quite often surprising. In one, the narrator describes the story of her own birth; in another, as the characters discuss fairy tales—one of the characters forces his students to read the Brothers Grimm in their brutal, original forms—the roles of witch and distressed damsel switch back and forth. While we could easily imagine stories like these in which thematic elements take over, Lunstrum keeps them at a low burble, focusing on the reality of these characters’ struggles. It is a very brave choice.


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Stealing Pleasure: Megan Whalen Turner's The Queen's Thief Series

I’ve come a bit late (only 14 years or so) to the wonder that is Megan Whalen Turner, author of the young adult fantasy series The Queen’s Thief. Of all the books I’ve read in recent memory, not many compare to this series, which is serial narrative of the best kind—the kind that gets richer and more complex as it develops. Before this month, there were three novels: The Thief, The Queen of Attolia, and The King of Attolia. A fourth, A Conspiracy of Kings, has just been released. I can’t wait to read it.


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Long for This World, by Sonya Chung

The cover of Sonya Chung’s debut novel, Long for This World (Scribner, March 2010), shows a young woman gazing out over a wide ocean, raising a camera to her eye. Chung’s main character is a photographer, but that’s not the only reason this cover is so apt. The novel unfolds like a collection of intimate snapshots, telling a story of loss and unexpected renewal.


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Pieces for the Left Hand, by J. Robert Lennon

J. Robert Lennon’s Pieces for the Left Hand is a collection of 100 linked short short stories–linked by their location, a small upstate New York town that resembles Lennon’s hometown of Ithaca, and by their narrator, described as “unemployed, and satisfied to be unemployed.”


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A Little Bone of Crazy, or This is Your Brain On Snowbroth: Leni Zumas’s Farewell Navigator

Most of Leni Zumas’s stories in her exceptional (and stylistically exciting) debut, Farewell Navigator (Open City, 2008), are compact studies of paralysis in the tradition of Beckett and Ioensco. Sherwood Anderson could have been describing Zumas’s characters as they, too, are “forever frightened and beset by a ghostly band of doubts.” In “Farewell Navigator,” one character envies a group of blind schoolchildren for having teachers “to pull them. Nobody expects them to know where to go.” And in “Leopard Arms”—a story told from the perspective of a gargoyle—a father fears “of doing nothing they’ll remember him for. Not a single footprint—film, book, record, madcap stunt—to prove he was here. Am I actually here? he sometimes mutters into his hand.”


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Sima's Undergarments for Women, by Ilana Stanger-Ross

In her moving debut novel, Sima’s Undergarments for Women (Overlook, 2009), Ilana Stanger-Ross renders her title character so startlingly real, and with such empathy, that we cannot help but root for her. In the Jewish neighborhood of Boro Park, Brooklyn, Sima and her husband, Lev–both in shuffling middle age–have long accepted (but are forever marked by) the disappointment of not being able to have children. Sima has withdrawn into the world of her shop, away from the shroud of tragedy cast over her marriage. The story begins when a vivacious young Israeli woman, Timna, enters Sima’s shop and changes everything. The story begins when a vivacious young Israeli woman, Timna, enters Sima’s shop and changes everything.


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When Autumn Leaves, by Amy S. Foster

Award-winning lyricist, Amy S. Foster–who has written songs for musicians such as Diana Krall, Michael Buble, and Andrea Bocelli–makes an eloquent transition from songwriter to novelist in her debut novel, When Autumn Leaves. Like a well-written song, the novel evokes a powerful atmosphere. Foster’s vivid descriptions bring the charming town of Avening, a magical haven in the Pacific Northwest, to life. And the story captures our attention from the first note, when we meet the title character. Autumn is a member of the Jaen, “an ancient order of women who dedicate their lives to the service of others.” For years, she has guided the people of Avening, a town whose steady undercurrent of magic has attracted a unique citizenry. In the novel’s first chapter, Autumn learns she is being reassigned. She must leave Avening–but before doing so, she must choose her successor.


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The Museum of Innocence, by Orhan Pamuk

Like most of us, Orhan Pamuk’s narrator Kemal rushes through his happiest moments in a preoccupied haze, only appreciating them in hindsight. A true materialist, he seeks to recreate them through his collections of mementos large and small, iconic and insignificant. His “museum” in The Museum of Innocence (Knopf, 2009) is a diorama not only of Kemal’s own nostalgia, but of Turkey itself in the late 1970s.


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Amigoland, by Oscar Casares

“Now he was the one smiling. He knew they were all around the table, he could feel their eyes on him—The One With The Flat Face, The One With The Big Ones, The One With The Worried Face, The Gringo With The Ugly Finger, The One With The White Pants, The One With The Net On His Head—staring at him and waiting for his next move.” There is so much more to Don Fidencio Rosales, the ninety-one year-old protagonist of Oscar Casares’s comedic and heartening first novel, Amigoland (Little, Brown 2009), than simply his age. First and foremost, there’s his […]


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The Stone Gods, by Jeanette Winterson

Though not uniquely British, the notion that humans seem fated to eradicate themselves—like moths flinging themselves into the flame of Apocalypse—certainly has a long history in The Isles. British historian and journalist A.J.P. Taylor warns, “Human blunders usually do more to shape history than human wickedness.” H.G. Wells rasps, “Human history becomes more and more a race between education and catastrophe.” And Jeanette Winterson has now penned The Stone Gods.