Suspend Your Disbelief

Posts Tagged ‘Celeste Ng’

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TriQuarterly to be Shut Down after 45 Years

by Celeste Ng

Some sad news: recently, we heard that venerable literary journal TriQuarterly was transitioning to an online-only format. It’s sad enough to think that one of the oldest and most respected literary mags would no longer be in print, but there’s more to the story, as shown in this email from Ian Morris, TriQuarterly‘s associate editor: I just wanted you all know that as of spring 2010 after forty-five years TriQuarterly magazine will cease to exist. Susan Hahn and myself were notified of this fact yesterday just hours before the press release announcing the decision was sent out. After terminating TriQuarterly’s […]


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Graphic Classics

by Celeste Ng

Vernerable publisher Penguin has quietly been putting out a series of “Graphic Classics”–classic novels such as Moby Dick and The Three Musketeers with snazzy covers by prominent graphic artists. Over at his blog, illustrator Michael Cho discusses designing the cover for the recent reissue of Don Delillo’s White Noise: The first thing I did, of course, was read the book again. It had been over 10 years since I last read it, so I needed to re-familiarize myself with it. After reading it though this time, I skimmed it again but with an eye toward the major concepts and images. […]


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why the genius grants are, well, ingenious

by Celeste Ng

Yesterday the John D. and Catherine T. MacArthur Foundation announced the 20 recipients for the 2009 Fellowships–popularly known as the “Genius” Grants. Each of the fellows learned in a single phone call that they will receive $500,000 with no strings attached. This year’s crop includes two fiction writers, novelist Edwidge Danticat and short story writer Deborah Eisenberg. Two things about this: First, the program’s stated mission is “to enable recipients to exercise their own creative instincts for the benefit of human society.” So as a fiction writer, I find it empowering that the MacArthur Foundation believes writers can benefit society […]


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HuffPo Books!

by Celeste Ng

It was selected as one of Time magazine’s Top 25 Blogs of 2009. The Observer (UK) went one step further and named it the most powerful blog in the world. According to Technorati, it’s the most linked-to blog on the Internet. And its founder, Arianna Huffington, came in at #12 in Forbes ‘ 2009 list of the most influential women in the media. Now the Huffington Post is starting–drumroll please!–a book section. Last Tuesday the New York Observer announced that HuffPo’s new book section would launch October 5th under the editorship of Amy Hertz, an editor-at-large for Penguin’s Dutton division. […]


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Dispatch From Bread Loaf #4: What I Learned from Ann Hood

by Celeste Ng

With all the posts on lectures and readings, you may be surprised to hear that we had any time to workshop at the conference at all. I was very lucky to be in Ann Hood’s workshop, as Ann offered specific concrete approaches to thinking about plot, theme, tension, and all of those nebulous concepts fiction writers have to deal with. We had a lot of novel excerpts in the class, so much of the workshop discussion focused on issues of the novel rather than the short story—a change from the norm. Fellow Bread Loafer Eugene Cross has written an account […]


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Dispatch from Bread Loaf #3: Maud Casey on Historical Fiction

by Celeste Ng

Toward the end of the conference, I was seriously overstimulated and running on an average of 5 hours of sleep per night. But the title alone of Maud Casey’s lecture, “The Secret History: The Power of Imagined Figures in Historical Fiction,” lured me out of bed that very last morning. Although I haven’t yet written any historical fiction myself, I’m especially interested in the space where the fictional meets the real, and how writers balance the responsibilities they have toward historical fact with the responsibilities they have toward emotional and aesthetic truths. Casey’s lecture was more than worth the lack […]


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Dispatch from Bread Loaf #2: On Lushness, Irony, and Honesty

by Celeste Ng

At Bread Loaf, the first thing people asked–after “What’s your name?”–was often “What genre do you write?” There wasn’t any great divide between poets, fiction writers, and nonfiction writers, but somehow it seemed important to know. Maybe this is because we tend to think of our genres as very different forms with very different concerns and goals. I can’t count how many times I heard fiction writers say, “But I don’t know anything about poetry…” and poets say, “Well, I don’t get plot.” But actually, I think that poets and fiction writers have more overlap than they often believe. A […]


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DISPATCH FROM BREAD LOAF #1: What I (Heard) Read This Summer

by Celeste Ng

I was lucky enough to attend the Bread Loaf Writers’ Conference in Vermont this summer, as a tuition scholar, and I’m still processing all that I learned. In the 12 days I spent on the mountain, I heard 101 people read in 24 separate readings. I attended 5 workshop sessions, 5 lectures, 3 craft classes, and countless cocktail hours. And I’m still kicking myself for not doing more. But I guess that’s part of the experience. Bread Loaf is an exercise in excess: a positive glut of new ideas and voices and inspirations. I left completely overstimulated, with a stack […]


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tattooed with lit

by Celeste Ng

If you have a literary tattoo, consider submitting it for this anthology by independent editors Justin Taylor and Eva Talmadge: All images must include the name (or pseudonym) of the tattoo bearer, city and state or country, and a transcription of the text itself, along with its source. For portraits or illustrations, please include the name of the author or book on which it’s based. We’d also like to read a few words about the tattoo’s meaning to you — why you chose it, when you first read that poem or book, or how its meaning has evolved over time. […]


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Short Story Special

by Celeste Ng

The Guardian has put out its annual Short Story Special, featuring work by Dave Eggers, A.M. Homes, David Mitchell, William Boyd, and Julie Myerson. This year, the Special also includes six short stories written by Guardian readers, culled from a pool of almost 2,000 by judges William Boyd and Julie Myerson. The winning story, “Broken Crockery,” is the publishing debut (!) of Lisa Blower, who is studying creative writing at Bangor University. Here’s an excerpt: Mum says my nan’s in hospital with Margaret Thatcher. […] My nan doesn’t like Margaret Thatcher because she’d kicked women in the shins and blew […]




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