Peter Selgin’s debut novel, Life Goes to the Movies, is based in large part on his experiences growing up in New York in the 1970s. JT Torres talks to the author about bringing fact to fiction, strategies for the revision process, why identity is so important in his work, and more. Following the interview is an exclusive excerpt from Selgin’s novel-in-progress, Hattertown.

Jonathan Tropper’s latest novel, This is Where I Leave You (paperback: Plume, July 2010), mines the hilarity from dysfunction in a belated coming-of-age story. After patriarch Mort Foxman passes away, the Foxman clan is forced to sit through what might be the craziest shiva of all time.

Tatjana Soli’s debut novel, The Lotus Eaters, takes place during the Vietnam War and focuses on a female combat photographer. Tyler McMahon talks with the author about how we choose our subject matter, the challenges of writing about well-documented history, the role research plays in her process, and why novels matter in an era increasingly dominated by nonfiction.

In a Strange Room ­­chronicles Damon’s travels as he journeys from Greece, to various countries in Africa, to India. Traveling, in general, disorients. We are displaced from our normal locations, we are observing places that are not our own, and our minds constantly compare the new, foreign place with the familiar one. Like Rimbaud’s process of becoming a seer, the state of traveling might be a process by which we project toward the unknown by a derangement of the senses. To travel is to step into a sort of duality.

ver wonder what would happen if the plotline of a novel were up for sale? Commercial Novel aims to find out. By commenting on the site—and making a donation to the site via PayPal—you can influence what happens in the next chapter of the novel. The comment with the highest donation shapes [...]

We’re pleased to announce that Percival’s Planet, the most recent novel by FWR Contributor Michael Byers, was released today. The book was inspired by the true story of the discovery of Pluto and takes place during the late 1920s. Told from multiple perspectives–a farm boy in Kansas who grinds his own telescope lenses, a young [...]

Every work of fiction is grown from at least one seed of truth, whether it’s an emotional truth, an actual event, or a fact of nature. For Michelle Hoover, author of the elegant debut novel The Quickening, this seed was a fifteen-page document that her great-grandmother typed out in the final year of her life. In it, “broken hearted and sick in mind and body,” she recounted her seven decades as an Iowa farmwoman. Loosely based on this document and family oral histories, The Quickening follows the journeys of two Iowan families trying to build their lives amid the hardships of the Great Depression.

Jacob Paul’s debut, Sarah/Sara, is not a joyful read, but it is a deeply moving one. The novel unfolds as the journal of Sarah Frankel, an American-born Jew who, shortly after finishing college, moved to Israel, where she took the Hebrew version of her name (”Sara,” pronounced Sah-rah) and became far more ritually observant than she was raised to be. After her visiting parents are killed in a suicide bombing in the café below her Jerusalem apartment, Sara embarks on a six-week, solo kayaking trip through the Arctic. Throughout the beautiful yet dangerous trek, Sarah’s thoughts turn not only to her past—memories—but also to an imagined future, one that challenges her faith.

“I don’t mind that when I’m interviewed I am speaking as a representative of biracial women. I’m heartened that people are interested. I do wonder, though, when the book is critiqued as being not enough about the biracial experience. To that criticism I say, Well, okay, but it’s not a position paper. It’s a story. [...] I have had a number of people “come out” to me, for lack of a better word, about their blended families, or about their grief, or about simply being a young person struggling against the labels, like geek or nerd, that they’d been assigned by peers. [...] They’ve connected their own stories to the stories I’ve told and suddenly feel empowered to talk about it.”

An Unfinished Score
by Elise Blackwell
Unbridled Books, April 2010
256 pp
Concert violist Suzanne Sullivan is preparing dinner when she hears on the radio that her long-term lover Alex—a well-known conductor—has perished in a plane crash. Living with her husband (a composer), her best friend Pertra (a concert violinist) and Petra’s deaf daughter Adele, Suzanne is forced to [...]