Suspend Your Disbelief

Reviews

Reviews |

The Bigness of the World, by Lori Ostlund

by J.T. Bushnell

J.T. Bushnell considers how Lori Ostlund’s debut story collection, The Bigness of the World, filled as it is with “godless homosexuals scattered across the globe” would have likely pleased Flannery O’Connor, whose own work is “unapologetically regional and almost dogmatically Catholic.” Ostlund, who won the Flannery O’Connor Prize for Short Fiction last year, writes of the mystery beneath our outer trappings, an underlying truth that binds the two writers in common cause.


Reviews |

The Countess, by Rebecca Johns

by Laura Valeri

Erzsebet Bathory gained immortal fame as one of the first female serial killers; known as the “Bloody Countess,” she was accused of brutally torturing and murdering over six-hundred young women. But was she really an unrepentant, psychopathic murderer—or simply a political obstacle to the king? Was she really bathing in the blood of her victims, or was she herself the victim of a witch hunt? Such questions haunt the pages of The Countess (Crown, 2010), Rebecca Johns’s lively historical novel, which reconstructs the complexity of this 17th century scandal and brings alive the woman behind the myth.


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The Forest for the Trees: An Editor’s Advice to Writers, Second Edition, by Betsy Lerner

by Stephanie Vanderslice

After its publication in 2000, the first edition of Betsy Lerner’s The Forest for the Trees: An Editor’s Advice to Writers became one of my students’ favorite writing books, and over time it became my go-to gift to graduating seniors with whom I’d formed a special bond, and whose persistence I hoped to bolster in those daunting years ahead. I even kept a small stash of copies in my office. So it was with great anticipation that I looked forward to this second edition, published in October 2010.


Reviews |

Does the Writing Workshop Still Work?, ed. Dianne Donnelly

by Kate Kostelnik

Does the Writing Workshop Still Work? offers an important and timely contribution to the creative writing discipline: in addition to focusing on pedagogies, professionalization, and workshop methodologies, the collection complicates issues by asking readers to consider the workshop as an event, an artistic act, and a human activity.


Reviews |

Aliens in the Prime of Their Lives, by Brad Watson

by Tom Bennitt

There are no zombies or vampires in Brad Watson’s new collection, Aliens in the Prime of Their Lives (W.W. Norton, 2010), but there are plenty of folks who act like they’re either dead or from another planet. And, yes, many of Watson’s characters are “aliens”—not green creatures with large heads, but alienated, isolated. They are people who wander through life without an anchor, who don’t feel the pull of gravity.


Reviews |

Freedom, by Jonathan Franzen

by Scott F. Parker

As the swirl of publicity surrounding Jonathan Franzen’s Freedom begins to settle, Scott F. Parker makes the case for a novel that transcends time and place because it captures them so faithfully. Parker also looks at how Franzen’s difficult characters reveal our own prejudices. Later in the week: Parker looks back at The Corrections, nearly a decade after publication.


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Call It What You Want, by Keith Lee Morris

by J.T. Bushnell

In these thirteen stories, which move from gritty realism in the first half to magical realism in the second, characters are constantly engaged in the act of narrative construction. Again and again Morris structures his stories to obscure actual events, thereby forcing the characters to remember, speculate, or fantasize them into being, much like writers do. Only these characters are not writers—they are a meth addict, a car salesman, a bartender stranded on a desert island.


Reviews |

The Particular Sadness of Lemon Cake, by Aimee Bender

by Jackie Reitzes

If you are what you eat, what happens when someone else eats what you are? In Aimee Bender’s latest novel, The Particular Sadness of Lemon Cake, 9-year old Rose first experiences this conundrum when she tastes her mother’s birthday cake, only to come away with the uncomfortable understanding of her mother’s lonely dissatisfaction with life. The cake betrays the inner feelings of the cook. Over the course of the novel and Rose’s life, the predicament continues, building to an unwanted fixation of what constitutes food and those who grow and prepare it.


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Best of the Web 2010, edited by Kathy Fish and Matt Bell

by Michael Rudin

Our history with print’s first-rate publications can be a comforting force, a grid of familiar local streets against the sand-swept dunes of online. And it’s this lack of familiarity with digital’s landscape that makes Dzanc’s anthology so incredibly necessary: for new and old writers alike, it’s a guidebook as much as it is a book-book.


Reviews |

A Visit from the Goon Squad, by Jennifer Egan

by Jackie Reitzes

In a generation of “Pointers,” the relationship between and among songs on an album—its narrative—is all but lost in favor of hit single after single. But in Jennifer Egan’s new book, A Visit from the Goon Squad, an array of stories mix into a cohesive novel, each chapter self-contained yet fluid as the grooves of an LP.




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